We're excited to announce the shortlisted pieces from our inaugural 2017 Short Forms Contest! After reviewing over 200 pieces of 500 words or less, here is the shortlist of shorts, as determined by our esteemed judge Jen Sookfong Lee.
Low dirt path parts Loch Awe as a helix unbinding.
We walk like thistled mutants to Kilchurn ruins.
We meet in what I can only describe as a violent way, in that he spots me as we both watch the old man die in the middle of Portage Ave.
Hold a winesap apple to your brow and think of the worst possible outcome.
Or has the worst already happened? How do you define cataclysm?
Currently on Newsstands
Room 40.1, Food
Edited by Rose Morris, Kayi Wong
In this issue:
Sarah Beck, Ashwini Bhasi, Kat Cameron, Lucas Crawford, Dora Dueck, Marilyn Dumont, Rebecca Fishow, Veronica Fredericks, Rachel Jansen, Jane Kirby, Alexis von Konigslow, Lee Lai, Tess Liem, Alice Lowe, Tanis MacDonald , sab meynert, Silvia Pikal, Marika Prokosh, Keyu Song, Sylvia Symons, Ivy Tang, Carol Wainio, Kayi Wong, Catriona Wright, Nicole Xu.
Terri Brandmueller is Room’s former poetry submissions co-ordinator, and a great lover of food. A skilled baker, Terri has written about food for Women's Day, Fresh Ideas Magazine, and Eating Well. Her family is equally passionate about all things culinary—her father is a baker and chef, and her kids work in the restaurant industry. To celebrate the launch of Room 40.1 Food, Terri spoke to Room's Alissa McArthur about her life in food and writing. You can read the first part of the interview with Terri in 40.1.
Heather Giles is a Vancouver-based cook who has been working in kitchens since she was seventeen. She graduated from the Culinary Institute of Canada in 2009 and has worked as a cook at notable Vancouver restaurants Crow Bar, The Acorn, and Wild Rice, where she eventually ran the kitchen. Room's Rose Morris spoke to Heather about her career, vegetarian food, and working with younger cooks. You can read the first part of the interview with Heather in 40.1.
After being shortlisted for Room's Annual CNF Contest in 2015, Sarah Kabamba won the Fiction Contest in the same year with “They Come Crying.” Subsequently, the writer was published again in Room—this time with her poetry, “Dust”, in the Women of Colour issue. Room's Kayi Wong talked to Sarah about her motivation and diligence when it comes to multiple genres of writing.
Overall, ELLE is funny, feisty and—yes!—feminist. Certainly a show worth seeing.
Exhibit runs from January 13th to February 20th, 2017 at Open Space Victoria. "All in all, Dickie’s work is thought-provoking, accessible, and playful." --Rose Morris
Elizabeth Ukrainetz’s writing shows brief glimpses of life on the other side of a window painted with vivid colours and designs. Language in her work is at the forefront. In The Theory of Light at Midnight, the poetic prose draws the reader’s attention more than the story of Magda, who suffers from post-traumatic stress disorder symptoms.
An intimate memoir about abortion, expressed through the language and imagery of the ocean, Month 7 of Deep Salt Water was a meditation on various modes of time—geological, human, musical, oceanic—and now Month Eight delves into the multiplicity of circles, the roundness of ripe fruit, the endless cycles of the ocean's seismic waves.
In the words of our Festival Director, Arielle Spence, “Growing Room is a celebration, a protest, a reflection, a re-envisioning, a gathering, a question, and a dream. It is the culmination of forty years of hard work and creativity and the start of a new era.” If you're eager to attend but uncertain where to begin, we understand; when the festival was conceptualized two years ago, we did not foresee organizing a five-day festival with twenty-five panels, workshops, readings, and special events, involving over fifty emerging and established writers and artists.