Live from the back room of R&B brewing, comedian Katie-Ellen Humphries joins host Mica Lemiski to chat about the different roles we perform—whether on stage, through our art, or in our everyday lives. Also included: how NOT to deal with sexism in a writer's room, and why "I don't change for anyone" is not actually a very cool attitude.
The anonymous woman in bed beside me adamantly shakes my shoulder. She had a name last night. She must have, as part of my hook-and-line I complimented her “pretty name” and said, “it suits you.” Unless a woman’s name is Mavis, I normally compliment her pretty name.
This article is adapted from a keynote address delivered on Thursday, November 2nd at Queer Canada, a conference at Brock University in St. Catherine’s, Ontario.
Dedicated to the memory of Aiyyana Maracle and all my transsexual and Two Spirit relations who resist and continue to make beauty in the middle of a genocide.
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Room 41.1, Family Secrets
Edited by Rachel Thompson
In this issue:
Jennifer Amos, Fenn Archdekin-Leung, Jenn Ashton, Jamelie Bachaalani, Colleen Baran, Jenny Bartoy, Alexandra Chang, Kristina Corre, Maggie de Vries, Shirley Harshenin, Jia Hwang, Sharon Jinkerson-Brass, Elizabeth Johnston, Tamara Jong, Manal Kamran, Carrianne Leung, Lily Leung, Mary MacDonald, Alissa McArthur, Cosi Nayovitz, Margaret Nowaczyk, Deanna Partridge-David, Leah Lakshmi Piepzna-Samarasinha, Rebekah Rempel.
Stacey May Fowles is a novelist, sportswriter, essayist, and Room’s 2018 creative non-fiction contest judge. She received widespread acclaim for her passionate perspective on baseball and fandom in her 2017 essay collection, Baseball Life Advice. We had a chance to talk to Fowles about finding community in writing and what makes for riveting non-fiction.
Selina Boan is a poet living on the traditional, ancestral, and unceded territory of the Musqueam, Sḵwxwú7mesh, and Tsleil-Waututh peoples. She has been published extensively in literary magazines across Canada, won the Gold National Magazine Award for poetry in 2017, and was shortlisted for the 2016 CBC Poetry Prize. She is currently working on a collection of poems exploring her Cree and European heritage. “Here we go” and “the plot so far” are poems included in this collection and appear in Room’s “Let’s Make Contact” issue 40.4. The love and genuine care that is so evident in Selina’s poems she also puts into the work of the people around her. She champions emerging writers and her friends, and she attends to strengthening community building at every opportunity. Her work is powerful, necessary, and utterly brilliant, and she is very much deserving of Room’s Emerging Writer Award.
Jane Eaton Hamilton is the author of nine books of creative non-fiction, fiction, and poetry, and the judge of Room magazine's 2018 Short Forms Contest (extended to January 29). In the following interview, Jane talks to Room's Mica Lemiski about their upcoming book of flash fiction, Soon I Will Be Dead, the shrinking word counts of literary magazine submissions, blurring genres, and what they look for in a contest submission.
Shit, like its protagonists, is imperfect and unapologetic—and fantastically entertaining.
You may not attend a comedy show in hopes of being taken on an emotional ride other than that of laughing so hard you cry; however, The Lady Show delivers powerful performances filled with commentary and satire.
In the latest episode of Lit Mag Love, Rachel Thompson talks to Carleigh Baker, the Vancouver editor of Joyland Magazine.
Room Magazine and Massy Books have partnered to create Indigenous Brilliance, a quarterly reading series for First Nations, Métis, and Inuit writers to showcase their work. Hosted by Room editorial board members, Jónína Kirton and Jessica Johns, this series is dedicated to featuring emerging Indigenous women, Two Spirit and queer writers. We are now accepting applications to all interested artists who would like to participate in our 2018 series.