Photo credit: Josh Gooden Terese Mason Pierre (she/her) uses speculative fiction to imagine new worlds, constantly questioning the notion of reality and fantasy. Her debut poetry collection, Myth from House of Anansi Press (2025), is a lyrical ode to the complexities...
How can we be artists in community? Chimedum Ohaegbu interviews Brianna Bernard, who works as a technician for Neworld Theatre, a performing arts centre centring voices confronting systemic injustice, and Unbound Reading Series, a local collective and partner of Room...
The first Emancipation Day marked freedom for Black Canadians: the Slavery Abolition Act of 1833 went into effect in British colonies on August 1, 1834, ending the legalized bondage, forced labour, and torture of enslaved Africans and their descendants. From this...
Hope Lauterbach is a writer, poet, and founder of the Unbound Reading Series. Today, our Managing Editor Chimedum Ohaegbu interviews her on Unbound’s most memorable moments, six years since its inception, the notion of rest in cultural work, and dreams for the...
The current genocide in Sudan, carried out by the Rapid Support Forces (RSF) and supported by the United Arab Emirates (UAE) against the Sudanese people, is the world’s largest humanitarian crisis with over 13.6 million people–families, scientists, schoolchildren,...
What does it mean to belong, whether it's to a place, a time, a community, a person, or something else entirely? Room Magazine invites unpublished writing and visual art, including graphic forms, for issue 50.1 on the theme "Belonging," edited by natasha gauthier,...
Kai Cheng Thom is above all a storyteller whose distinctive, mythopoetic voice channels something deep, ancient, and wise, all while staying grounded in our present moment and the specificities of her life. We turn to Thom’s writing when everything, including our...
In our Pride Month Statement for 2025, we at Room Magazine emphasized the importance of not allowing corporate interests define Pride, but rather the people to whom Pride belongs: the queer Black and brown people who bleed for it, riot for it, and care for their...
This statement was written in amiskwacîwâskahikan on Treaty 6, and Room’s collective members live on stolen lands all across so-called Canada, labouring in Moh’kinstsis, Tkaronto, Wînipêk, and on the traditional and stolen territories of the xʷməθkʷəy̓əm (Musqueam),...
Photo of Leila Chatti by Marcus Jackson. Photo of Rebecca Mangra by Brittany Carmichael. Named one of Electric Literature's Best Poetry Collections of 2025, Leila Chatti's poetry collection Wildness Before Something Sublime deftly navigates the imbrications of...
ROOM 49.2 SCIENCE
I hope this issue makes you curious and furious, leads to 2 a.m. Wikipedia rabbit holes, fulfills urges to seek out knowledge-keepers. Quickly or slowly, dive in: -ologies of all varieties await you.
ROOM 49.1 No Future for Who?
In Room Magazine 49.1 No Future for Who?, we are really asking. We are coming in hot. We are causing a scene. We are being unreasonable. We are not fucking around. We are not taking “no” for an answer. “No” is the only word we still know. For who? For who? No.
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