When they started dating, Almost Daddy visited every month. He picked her up on Sundays after her cashier shift at the pharmacy, at Dundas and Spadina in Downtown Chinatown. She wore the same Niagara Falls coat, layering on a second jacket in the winter. Unlike most refugees that she knew, Guelph Guy had his own car. He’d pick her up and take her on walks by the harbourfront. To feel the humidity of indoor plants at Allan Gardens, to watch movies at the University Theatre on Yonge Street.
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
The 2021 Creative Non-Fiction Contest judge is award-winning educator, researcher, and writer, Dr. Njoki Wane. Dr. Wane has consistently used her positions in academia and policy-making to advance an agenda of equity and an intersectional approach. She is also the...
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
The results are in. Major congrats to the three winners of our 2020 Cover Art Contest! First Place: MENTAL LOAD 02, by Masha Nova Masha Nova explores womanhood, feminism, and ongoing events in her latest collage work. Born in 1992 and raised in Russia (Siberia), as a...
My introverted grandfather used a code to let my extraverted grandmother know when he was running out of steam at parties: fists by his side meant he had some energy; one fist in the air, spotted across the room, meant he was running on steam; both raised above his head meant he was finished and had no energy left for socialization.
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
Amidst all the swirling anxieties of the pandemic, I had almost forgotten I was brown. I had forgotten that the eyes looking out from above my mask were deep inky pools which so often failed to reflect familiarity and belonging.I had forgotten that, while my hands were gloved and hidden, my sepia arms betrayed my origins in a sun-washed and sun-dried land.
from LooseLeaf Magazine In 2015 I had a wild dream to start a publication for pan-Asian writers and artists, and that winter, in partnership with a bunch of equally naive and down-for-anything Asian creatives, LooseLeaf Magazine emerged. Like a lot of other grassroots...
ROOM 44.2, City Rhythms
Edited by Isabella Wang
In This Issue: Yulia Aleynikova, Adèle Barclay, Cayenne Bradley, Chrissy Brett, Jewel Cao, Ellen Chang-Richardson, Zoë Dagneault, Pamela Dillon, Leanne Dunic, sophie anne edwards, Yabome Gilpin-Jackson, PhD, Sahar Golshan, Sarah Hamill, Alannah Johnson, Micah Killjoy, Hege Anita Jakobsen Lepri, Annick MacAskill, Heather Simeney MacLeod, Melanie Mah, Ngwatilo Mawiyoo, Loretta Miauw, Masha Nova, Lue Palmer, Sha’teiohserí:io Patton, Melissa Peacock, Amanda Proctor, Sindhu Rajasekaran, Lorraine Robson, Jessica Rose, Nedda Sarshar, Asna Shaikh, Sonali Singh, Nadia Siu Van, Grace Q. Song, Anna Swanson, Sarah Yi-Mei Tsiang, Lauren Turner, Isabella Wang, Cara Waterfall, Yu-Sen Zhou
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