One of the epigraphs at the beginning of the novel is an invocation to the Loas. Ma Lou’s section also begins with an incantation to one of the manifestations of Erzulie. I wanted the reader to feel right away that they were being brought into a place where spirituality animates the culture in the best of ways—to accompany the characters in their lives.
In this episode of the Indigenous Brilliance Podcast, we celebrate the long awaited Issue 44.3 Indigenous Brilliance going to print (IN FULL COLOUR)! In honour of this special occasion for the Indigenous Brilliance team, co-host Karmella Benedito De Barros shares...
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
As a part of the 2020 Growing Room Literary & Arts Festival, Thu Le curated a beautiful visual art exhibition, >codex_, at Emily Carr University. This exhibit featured the work of June Tang, Taryn Sheppard, and Flavourcel Animation Collective, and was an...
from LooseLeaf Magazine In 2015 I had a wild dream to start a publication for pan-Asian writers and artists, and that winter, in partnership with a bunch of equally naive and down-for-anything Asian creatives, LooseLeaf Magazine emerged. Like a lot of other grassroots...
To celebrate the publication of issue 44.1 Growing Room, we’re delighted to share artwork by the Alisha Sian, who was intended to be a part of our first ever festival marketplace at the 2020 Growing Room Literary & Arts Festival. You can also find more of Alisha's...
Divya Kaur Photography is the work of Divya Kaur, a queer neurodivergent punjabi artist living in diaspora on the stolen territory of the Semiahmoo, Katzie, Kwikwetlem, Kwantlen, Qayqayt and Tsawwassen First Nations, colonially known as Surrey BC. In her photography,...
Below are short, animated poems created by Fiona Tinwei Lam in collaboration with Vancouver animators Tisha Deb Pillai and Nhat Truong. These short, plastic-pollution-themed video poems were intended to be screened at the 2020 Growing Room Literary & Arts...
Beany John embodies the Two Spirit shapeshifter: dancer and storyteller. As a multidisciplinary artist, Beany is continually inspired and motivated to influence Indigenous people to feel validated and strong: "We manifest the royalty of our ancestors before contact,...
Kihew and Rose is created and owned by Adrienne Larocque, a Nehiyaw Iskwew (Plains Cree Woman) from Maskwacis, AB in Treaty 6. She lives and creates with gratitude on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Peoples. Kihew and Rose...
ROOM 44.4, Open
Edited by SELINA BOAN
Assistant Editors ASNA SHAIKH and ANGELIC
Shadow Editor HOPE LAUTERBACH
In This Issue: Angelic, Ivy B, Manahil Bandukwala, Ivanna Baranova, Levi Cain, Lindsay Cavanaugh, Lily Chang, Kai Conradi, Sarah Ebba Hansen, Kendra Heinz, Teya Hollier, Liz Howard, Zoe Imani Sharpe, syan jay, Jay Julio, Bonnie S. Kaplan, Kimmortal, Hope Lauterbach, K. Lenek, Nya Lewis, Pinki Li, Annick MacAskill, Kayla MacInnis, britt mcgillivray, Sneha Madhaven-Reese, Anukriti Mishra, Cassandra Meyers, Adesuwa Okoyomon, Pauline Peters, Terese Mason Pierre, Amber Sandy, Trish Sewell, Nadia Siu Van, Linda Trinh, Summer Tyance, Lily Wang, Sanna Wani, Vale Warren, Carrie Jade Williams, Jocelyn Wong, Yu-Sen Zhou
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