Ley Line | 46.2


Creating this issue has been a lesson in hope. Hope because as the editor of a contest issue, I knew much of the content, as well as the cover, would be chosen for me and my team. And while I hold great trust in the eyes of others, judges do not read and choose pieces with the cohesiveness of a magazine issue in mind. When my team and I met to discuss the issue we wanted to make, the quick addition to any suggestion was often “depending on the contest.”

How do you build an issue where predetermined pieces might not go together? Flexibility. From our submitters, we requested writing from between spaces; liminal writing that engaged with movement, immigration, and thresholds. We asked for hybrid forms, speculative works, translations, and everything in between.

When you ask people to prod at the cracks, the ley lines of life, they find pieces of hurt that have been hidden, growing pains, loam that has absorbed destruction and fed new creation. But what’s buried remains, to dig up again and again, unfinished in its work.

We started this issue with the comedically unsettling work of commissioned author Sydney Hegele, whose story “Dirt Mouth” follows the tale of a fake funeral. From there, we found what we had requested of submitters, and hoped for in the contest winners, had been delivered. In this issue, you will find the places between death and transformation, the cycle of destruction and introduction, the thresholds of possibilities that never were. I hope you, reader, will find yourself in one of these pages.

Lastly, I want to thank my team. Amazing shadows Adesina Brown, Kendra Heinz, and Nara Monteiro. And Assistant Editor, Annick MacAskill, who I got the chance to work with on “Dirt Mouth” and see the beautiful and trusting relationship between writer and their thoughtful and smart editor. I am so appreciative of my team’s hard work, creativity, and support. It is an honour to have shared this issue with them.

— Geffen Semach

Cover of ROOM issue 46.2, Ley Line. Making Space in Literature, Art, and Feminism Since 1975. Featuring: New Fiction by Sydney Hegele and an interview with Tiffany Morris. Visual art depicting sheet ghosts depicted in block lines, some half running left and half running right, multiplied in a long line leading far into the back of the image. The sheets are white and the ghosts have brown arms and green and black hats.


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Canada, USA, International, Digital

ROOM 46.2: Ley Line
Editor: Geffen Semach
Assistant Editor: Annick MacAskill
Shadows: Adesina Brown, Kendra Heinz, Nara Monteiro
Cover Art: Ghost No More by semillites hernández velasco

In this issue: Jennifer Adese, Meagan Berlin, Lisa Bird-Wilson, Moni Brar, Hannah Brown, Abigail Chang, River 瑩瑩 Dandelion, Sydney Hegele, semillites hernández velasco, Kendra Heinz, Mariana Yatsuda Ikuta, Roshan James, Keerat Kaur, Moe Kirkpatrick, Danielle Klebes, Olga Kolesnikova, Kaila Larson, Annick MacAskill, Kathryn MacDonald, Dawn Miller, Nara Monteiro, Tiffany Morris, Alexandra Nordstrom, ViNa Nguyễn, Dora Prieto, Anna Lee-Popham, Amanda Proctor, Məlidi (Sydney Roberts), Andreina Romero, Tasha Schumann, Geffen Semach, Isra Siddiqui, Nadia Siu Van, Jacqueline Staikos, Gabriel Waite, jaz whitford