Room’s mentor-in-residence program is a brand new program designed to pair established mentors with emerging writers. This year’s mentor, Alicia Elliott, will select between eight and twelve students to mentor (free of charge to the student) over the year of the residency, including manuscript feedback and career advice and support.
The same folks who believe racism
only exists in the past will tell
you patriarchal misogyny
is obsolete and men now suffer
because women hold all of the cards.
This morning I stopped to see clouds breaking over the mountains,
the same as in a dream, but clearer, pellucid, light
and shadowy at once, light gray, a sweet white.
I have my mother’s hair. It is a thick, deep black—the kind she calls wūhēi. The strands fall straight down my back after I wash it, glossy and sleek like the feathers of a crow.
Currently on Newsstands
Room 41.4, Emergence
Edited by Alissa McArthur
In this issue:
Tharuna Abbu, Farah Ali, Kristin Bjornerud, Michelle Chen, Nomi Chi, Morgan Christie, Kim Fu, Hannah Graff, nancy viva davis halifax, Ceilidh Isadore, Liz Kellebrew, Jo Lee, Kris Ly, Melanie Mah, Sara Mang, Katie McGarry, Estlin McPhee, Triin Paja, Loghan Paylor, Nagmeh Phelan, Oubah Osman, Lisa Rawn, Yvonne Robertson, Erika Thorkelson, Cara Waterfall.
The Emerging Writer Award is open to anyone published in a given year in Room, who has not already had a book published. The award comes with a cash prize of $500. Room’s Tamara Jong spoke with our 2019 winner, Manahil Bandukwala, about inspiration for her poems “White marble atop hill” and “Maps”, her earliest writing memory and why she finds writing in notebooks so freeing.
Estlin Mcphee is a writer who grew up in the Bible Belt of B.C. in an Evangelical Christian household, and whose first queer role model was the fabulous and culturally disruptive George Michael. In this episode, Estlin discusses why George was so important to them growing up and why they will never get over their obsession with the Backstreet Boys. Estlin also discusses their genderqueer identity and why adolescence can be such a profound time for queer teens. This episode is a little pop culture, a little gay, a little spiritual, and a lot sweet!
Syrus Marcus Ware is a Vanier Scholar, visual artist, activist, curator, educator, and the judge for Room’s Annual Cover Art Contest (which closes January 15, 2019). To learn more about Ware's diversity of works, we invited Toronto-based artist Ojo Agi to chat with Ware about the different hats he wears, his contribution as a Toronto documentarist, and how makes his work accessible to communities that don’t always have access to mainstream institutions.
Whatever, Iceberg chronicles an all-too-familiar queer romance interwoven with polyamory, single parenting, chronic pain, poverty, and aging. Despite the specificity of Ziniuk’s writing, the collection remains relatable for anyone who has ever been in a badly timed romance or burned by a lover.
While reading GG’s new graphic novel, I’m Not Here, I was reminded of a short story by Delmore Schwartz, in which the narrator goes into a cinema and, much to their amazement and dismay, f
Each of the fifteen stories, mostly populated by female protagonists at less-than-perfect moments in their lives, show the work of a generous writer committed to creating characters unapologetically being themselves in all their flawed, misguided glory.
Join us at Massy Books on Saturday, March 2, 7pm for the launch of Ayelet Tsabari's intimate new memoir in essays, The Art of Leaving. Novelist Gurjinder Basran will lead a conversation with Tsabari about her work.