Today we're talking bodies. Friends of the podcast Jocelyn Tennant (a screenwriter and short fiction writer) and Megan Jones (a model and poet)join Mica in a conversation about how our experiences with fatness and thinness intersect. We also chat about body dysmorphia, binge eating, that preposterous new show "Insatiable," and how nice it would be to live in a world where "fat" doesn't mean "bad."
it’s a drunkintheafternoon kind of day
wrung out acronyms come up on my keyboard
instead of my sister’s name
Every now and then I catch it: a cluster of motes, a brown gathering at the tops of my cheekbones, age spots; grey hairs shot through with light, fibre-optic electric in the fluorescent glow of a grotty bathroom; the fleshy syncopation of my upper arm, waving a half-beat behind my hand. I feel it like I feel the geese, migrating: somehow I am in the sweet late summer of this young body, and I just want to fuck you with it.
Christine was charming and friendly, but I had begun to dislike her with a fiery intensity months before. It was visceral, and I couldn’t quite understand it. My disdain flustered her; I could see it in her eyes when they met mine. I had unmasked her. She thought I knew.
Currently on Newsstands
Room 41.2, Changing Language
Edited by Kayi Wong
In this issue:
Manahil Bandukwala, Fang Bu, Allison Graves, Kadijah Guillaume, Ava Homa, Ashley Hynd, Amy LeBlanc, Vanessa Lent, Tasslyn Magnusson, Chloe Yelena Miller, Amy Oldfield, Alycia Pirmohamed, Mia Poirier, Victoria Prevot, Michelle Purchase, Jade Riordan, Ellie Sawatzky, Bren Simmers, Dahae Song, Anne Stone, Susie Taylor, Katherena Vermette, Kayi Wong, Hiba Zafran, Shellie Zhang.
After living in New York for many years, Durga Chew-Bose returned to her hometown of Montréal to finish her debut collection of essays, Too Much and Not the Mood (FSG), which was subsequently named by The Globe and Mail and NPR as one of the best books published in 2017. In the following interview, Room editorial board member Kayi Wong met up with the essayist at a literary festival between her panels, and chatted about Tumblr, the lack of clarity in her writing, and the radical act of liking things as women of colour.
"These queer stories are already ingrained in the land, and I’m just trying to find them. Things are never forgotten, they’re just forgone."—Joshua Whitehead. In an in-depth interview, Room's Jessica Johns chats with Joshua Whitehead, an Oji-Cree Two-Spirit storyteller and academic from Peguis First Nation on Treaty 1 territory in Manitoba, and author of the novel Jonny Appleseed (Arsenal Pulp Press, 2018) and the poetry collection full-metal indigiqueer (TalonBooks, 2017).
Jessica Johns spoke with Arielle Spence, a queer, nonbinary aspiring writer and arts administrator originally from Coldstream, BC (unceded Okanagan Territory). They were the festival director of Growing Room 2017, Room’s inaugural feminist literary festival, one of the assistant editors of the forthcoming queer issue, and are currently editing Room's Magic issue. Here’s a sneak peak of the RoomMate interview.
What if three of your older siblings died at age eighteen after they left town? The narrator of Mah’s first novel, Chrysler Wong, longs to leave the fictional town of Spring Hills, Alberta, but is paralyzed by her belief in a curse against her family.
Gyasi’s debut novel, Homegoing is a timely and important contribution to literature, and to conversations about anti-black racism in popular culture . . . This novel should be read within this context, giving pause for reflection and examination on how we allowed ourselves to get here, and how we can move forward.
Many of Thom’s poems deploy this bold, storytelling voice, foregrounding the wisdom of what is said, experienced, lived, rumoured, and gossiped in lieu of traditional history with its myopia of normativity. a place called No Homeland consistently examines the collisions that marginalized identities encounter.
A selection of reviews from the 30th Vancouver Queer Film Festival (image from "Talk the Ting" by Shelby Zoe Coley).
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