Room’s Geffen Semach had the chance to ask Jónína a few questions about her newly publish book of poetry, An Honest Woman, her writing practice, and what she will be looking for in a poetry contest submission.
I’ve heard that when you see someone you love your pupils get bigger, as if your eyes themselves want to swallow them up and trap them inside.
Abattoirs, Abortuaries, and America (HOO-RAH)
Bleach and Beer-Batters, Batman!
Camaro . . . Catchphrases . . . Catachresis . . .
Donkey-sauce; Donkey-sauce; Donkey-sauce
Currently on Newsstands
Room 40.2, Our Rubble, Our Loss
Edited by Meghan Bell
In this issue:
Carleigh Baker, Leslie Beckmann, Isa Benn, Alison Braid, Maggie Burton, Ava C. Cipri, Kayla Czaga, Ruth Daniell, Leanne Dunic, Tanis Franco, Andréa Ledding, Tanya Lyons, Kim McCullough, Amber McMillan, Nav Nagra, Sarah Nakamura, Zehra Naqvi, Annmarie O’Connell, Eva Redamonti, Amanda Rhodenizer, stephanie roberts, Emily Schultz, Idrissa Simmonds, Mallory Tater, Erika Thorkelson, Debbie Urbanski, Susan E. Wadds, Laurelyn Whitt, Irene Wilder.
An interview with Room's 2016 fiction contest winner, Leslie Beckmann.
Ruth Ozeki received a Kiriyama Prize for her first novel, My Year of Meats (1998), an American Book Award for All Over Creation (2003), and the L.A. Times Book Prize for A Tale for the Time Being (2013), which was also shortlisted for the Man Booker Prize. In the following conversation with Room's Kayi Wong, Ozeki discusses how she went from making videos in high school, to directing corporate-sponsored Japanese TV programs, to juggling the paradoxical relationship between writing and Zen Buddhism.
After witnessing the scarcity of diversity in the arts sector for too long, Kristin Cheung and Megan Lau founded The Future is you and me, a program aimed at creating more opportunities for young women of colour aspiring to work in the art and creative industries—particularly in leadership roles. As they wrapped up the second cohort this “spring”, Kayi Wong spoke to the two founders of the Vancouver-based project, who have taken it upon themselves to enrich the arts community by creating more spaces for more voices in Vancouver's cultural landscape.
With unique humour and style, Paper Teeth introduces us to a fresh voice in Canadian short fiction.
In Work & Days, Taylor casts the physical attributes of the ecological world in a deeply poetic light.
Room Magazine is pleased to announce the winners of our 2017 Creative Nonfiction Contest, as chosen by judge Carmen Aguirre.
We're excited to announce our 2017 Creative Nonfiction Contest shortlist, as determined by judge Carmen Aguirre!