andrea bennett spoke with Room's Rachel Thompson about pitching non-fiction to Maisonneuve, the evolution of her writing career, what she likes to read, and the benefits of literary gender counts.
Room would like to apologize to Meaghan Rondeau, whose translation of “Sappho, 31” appeared in Room 38.1 without italics as she intended to indicate fragments of real conversation inserted abruptly into the inner monologue of the narrator. Here, now, is her poem with the correct formatting.
Read the Honourable-Mention Winning Entry From Our 2015 CNF Contest
The pages you have yet to write are flagged and fluorescent, post-it pennants waving for another town’s fiesta.
Any writer can give you an angst-filled list of reasons why writing didn’t happen (again) today: there were the kids. Or a special meeting, or the first sunny day in months, or …
they might have noticed
down the hallway
resembled a private waltz
Palm trees flash past
barred windows, and words
waft over the train’s
Room 38.3 Edited by Helen Polychronakos
Doors. Borders. Thresholds. Who holds the keys, letting some in and leaving others out?
The issue features an interview with Harsha Walia and new writing by Doretta Lau.
Room's Rose Morris talks to Stephanie McKenzie, winner of our 2015 Poetry Contest.
Our 2015 Fiction Contest Winner, Sarah Kabamba, talks about her writing process and motivation and her winning-story, “They Come Crying.”
Room's Taryn Hubbard talks to M. NourbeSe Philip about the range of her writing genres, her writing performances, and gets her advice for new writers.
Shameless Hussy's Love Bomb is a darkly moving piece of theatre that resonates beyond the final chord—and is guaranteed to spark an important conversation.
Shalan Joudry artfully explores the poetic relationships between generations.
Room with a View
At our AGM in early November, the 20 volunteer editorial board and staff members who govern Room decided to scrap the submission fee introduced ten months ago.