We're thrilled to have the multi-genre author judge our Short Forms Contest this year and took the opportunity to ask her a few questions about her award-winning novels, using magic to explore the construct of gender, and the genre-blurring qualities in her work. DEADLINE EXTENDED TO NOVEMBER 15, 2018!
I have my mother’s hair. It is a thick, deep black—the kind she calls wūhēi. The strands fall straight down my back after I wash it, glossy and sleek like the feathers of a crow. It never holds a curl.
In wielding the gun
the gunman becomes
a new kind of compound
noun, capable only of indirect
action: the expression
of hatred, making
of threats, rending
Simple pleasure: diving inside a night tank while bubbles ascend and whales from the Saint Lawrence materialize and vaporize, pin eyes black in white lumpy heads.
Who can resist the chance to climb
into another skin? Into myth-spit
caricature? A sideshow mockery
Currently on Newsstands
Room 41.3, Queer
Edited by Leah Golob
In this issue:
Adèle Barclay, Joelle Barron, Nicole Breit, Mary Chen, Lucas Crawford, Jen Currin, Pamela Dodds, Jane Eaton Hamilton, Jess Goldman, hannah harris-sutro, Leah Horlick, Sam Jowett, Ness Lee, Annick MacAskill, Alessandra Naccarato, Leah Lakshmi Piepzna-Samarasinha, Marika Prokosh, Amal Rana, Siobhan Roca Payne, Leah Sandals, Hana Shafi, Arielle Spence, Samantha Sternberg, Sanchari Sur, K.B. Thors, Corey Turner, Jackie Wykes.
All-star guest and friend Mallory Tater is back to discuss the glory of matrimony and how she and poet-husband Curtis Leblanc pulled off the most spectacularly woke engagement and wedding probably ever on earth. We discuss and dissect traditions such as: elaborate surprise engagements, the father giving away the bride (like a dang mule for trade), the garter toss (gag me), white dresses, and the shocking and sexually violent significance of cutting the cake.
When Room decided to launch a Short Forms Contest a few years ago, we wanted to create an avenue for writers who write flash fiction, non-fiction, and/or prose poems—and perhaps writers who experiment with blending and bending genres—to submit their work. (Contest entrants are not required to clarify which genre they are writing in.) The contest itself was kind of an experiment, but two contests and more than 450 submissions later, we are now running the third contest (deadline: November 1, 2018).
“Don’t be such a snob about pop music!” could also be the title of this episode, which features Vancouver pop princess Celina K., also known as the musical act “future star.” Celina and I chat about why we love pop music and how pop stars such as Ariana Grande and Kesha can be beacons of light in difficult times.
In a world not unimaginably different from our own, members of a religious cult wait out a civil war in an underground bunker. Tarry This Night, Kristyn Dunnion’s second novel, is an unsettling tale told in turns by five members of the Family, including Father Ernst, the sect’s once-charismatic polygamist leader.
Bänoo Zan’s second book of poetry, Letters to My Father, opens with her rationale for seeking refuge in poetry, and fleeing from stories.
We are thrilled to finally share the results of our 2018 Poetry & Fiction Contest! Here's our heartiest of congratulations to the following six writers.
After much deliberation, our poetry and fiction judges, Vivek Shraya and Zoe Whittall, have determined the shortlists of our 2018 Poetry and Fiction Contest! Congrats to the following thirteen writers whose work—or works—have been chosen.