White house, where some family lived upstairs

By 
Chelene Knight

Fear the caging of birds. Strangled and brown.
Moving here was like crossing a river,
debriefings, scaling back. Clay pots clogged,
awkward like an ingrown hair, browning down
in the sun. Staring at walls draws a crowd,
like a hardened nipple, a tear-streaked thigh.
No more packing things in paper she says.
She throws screams while running and looking back.
Nothing will blossom in this heat, heavy
holding, hurry and hurt; all these h words,
but never heal. Never healing, at all.
Finding a spot to sit still, fill my cup
empty it out, pouring steam down drains—I
am the one left clawing at the cage door.

Chelene Knight is Room's managing editor. This poem is forthcoming from her newest book, Dear Current Occupant (BookThug, 2018) and is published here as part of the No Comment project.


More Writing from the No Comment Project

No Comment by Alessandra Naccarato
Erase and Rewind by Meghan Bell
White house, where some family lived upstairs by Chelene Knight
Loyalty and Violence by Ruth Daniell
Burning Bridges by Joelle Barron
Penknife by Ellie Sawatzky
for play by Kayla Czaga
back, cover by Elaine Corden
Sex Work Solidarity as Healing by Amber Dawn
I Was Once That Girl by Jen Sookfong Lee
On Receiving Bad News by Mallory Tater
The Disappearing Woman by Leah Horlick
Boys Will Be Boys by Dina Del Bucchia
Nicomekl River by Claire Matthews
Knowing Better by Anonymous
Monster by Mikiko Galpin
Reframing the Montréal Massacre by Maureen Bradley
Testimony, Part X by Anonymous
Broken Heart Emoji, Crystal Ball Emoji, Stars Emoji by Kyla Jamieson
Bits by Carleigh Baker
Metamorphosis 6: 401-674: A Paraphrase in Still Pictures by Annick MacAskill
black pearls by Jónína Kirton
Not Yet by Juliane Okot Bitek
Sei Turni (6 spells for #CanLit) by Amber Dawn

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