We discuss the need for writing spaces specific to the BIPOC writers and how, for a non-writer of colour, this need may seem counterintuitive to forming a collaborative writing environment. Faith explains how privilege normalizes an individual’s reality in such a way that it limits what they see and don’t see, and, since they don’t see anything else, they don’t perceive a need for it.
We invite you to interpret our theme in the way that resonates most for you, whether that includes connecting with your ancestors, honouring the legacies you are a part of, setting out on a different path from those who came before you, or something entirely different.
More than a month has passed since the shootings in Atlanta, Georgia, which primarily targeted Asian women who worked in massage parlours and spas, perceived to be sex workers. As the we grieve, reflect, and take action in its aftermath, it’s important to continue...
The results are in. Major congrats to the three winners of our 2020 Cover Art Contest! First Place: MENTAL LOAD 02, by Masha Nova Masha Nova explores womanhood, feminism, and ongoing events in her latest collage work. Born in 1992 and raised in Russia (Siberia), as a...
Honourable Mention: My Father Catches Me Confronting Memory, by Tea Gerbeza During my adolescence, I often returned to photographs of my family during the Yugoslavian civil war, packed away in a shoebox. Memories stacked on each other. Even though I was barely a...
Meet the Mentees! These six emerging writers will spend three months of this year working with Téa Mutonji on their manuscripts-in-progress. Read on to see how they answered the question, "What do you want to be when you grow up?" Room's Mentor-in-Residence program is...
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
Amidst all the swirling anxieties of the pandemic, I had almost forgotten I was brown. I had forgotten that the eyes looking out from above my mask were deep inky pools which so often failed to reflect familiarity and belonging.I had forgotten that, while my hands were gloved and hidden, my sepia arms betrayed my origins in a sun-washed and sun-dried land.
As a part of the 2020 Growing Room Literary & Arts Festival, Thu Le curated a beautiful visual art exhibition, >codex_, at Emily Carr University. This exhibit featured the work of June Tang, Taryn Sheppard, and Flavourcel Animation Collective, and was an...
I am anchored through the idea of “open” to guide my process as I’m looking at submissions. How does language require opening? How do we give up all assumptions? How do we dig out definitions?
ROOM 49.2 SCIENCE
I hope this issue makes you curious and furious, leads to 2 a.m. Wikipedia rabbit holes, fulfills urges to seek out knowledge-keepers. Quickly or slowly, dive in: -ologies of all varieties await you.
ROOM 49.1 No Future for Who?
In Room Magazine 49.1 No Future for Who?, we are really asking. We are coming in hot. We are causing a scene. We are being unreasonable. We are not fucking around. We are not taking “no” for an answer. “No” is the only word we still know. For who? For who? No.
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
Room Tote Bags!
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Curated Bundle: For Lifelong Learners
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Curated Bundle: For The Rebels
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Curated Bundle: For The Visionaries
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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