Room Magazine is pleased to announce that the next managing editor of the esteemed feminist literary collective will be Shristi Uprety. Shristi Uprety (she/her) is a Nepali writer from Kathmandu, currently living on the unceded territory of the Musqueam, Squamish, and...
It’s a recurring phrase in my work, and has come to mean a lot of things. Holding something half-heartedly you’d do with one hand. But if you really want something, to claim it, you’d take it with both hands. When this line appears at the end of the book, it’s about expansion and pushing. A lot of this chapbook is about permissions and entering oneself. Part of that is pushing away the smallness, letting myself be big.
When they started dating, Almost Daddy visited every month. He picked her up on Sundays after her cashier shift at the pharmacy, at Dundas and Spadina in Downtown Chinatown. She wore the same Niagara Falls coat, layering on a second jacket in the winter. Unlike most refugees that she knew, Guelph Guy had his own car. He’d pick her up and take her on walks by the harbourfront. To feel the humidity of indoor plants at Allan Gardens, to watch movies at the University Theatre on Yonge Street.
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
The 2021 Creative Non-Fiction Contest judge is award-winning educator, researcher, and writer, Dr. Njoki Wane. Dr. Wane has consistently used her positions in academia and policy-making to advance an agenda of equity and an intersectional approach. She is also the...
We are thrilled to announce the upcoming 45.1 Ancestors issue of Room magazine! This issue will feature commissioned work from Francesca Ekwuyasi, author of Butter Honey Pig Bread (Arsenal Pulp Press, 2020), shortlisted for Canada Reads, a Lambda Literary Award, a...
The city at night: I love it at this hour for its movement, rhythms, and peoples. As I walk, I look at the lights lining the buildings of Vancouver’s Downtown Eastside— every flicker, every flashing square fading in and out is a story or poem I’d imagine of someone else’s life, transporting me into a rhythm of the city beyond myself.
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
We discuss the need for writing spaces specific to the BIPOC writers and how, for a non-writer of colour, this need may seem counterintuitive to forming a collaborative writing environment. Faith explains how privilege normalizes an individual’s reality in such a way that it limits what they see and don’t see, and, since they don’t see anything else, they don’t perceive a need for it.
We invite you to interpret our theme in the way that resonates most for you, whether that includes connecting with your ancestors, honouring the legacies you are a part of, setting out on a different path from those who came before you, or something entirely different.
ROOM 48.2 TRAVELLERS
In ROOM 48.2 TRAVELLERS we reflect, dream, manifest. Join us in these human ways of time-travelling, from infancy to the future, through relationships and into surreal realms.
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
Travellers | 48.2
Price range: $15.00 through $25.00
Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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Sponsor a Contributor
$250.00
Sponsor a Writer
$100.00
Sponsor a Poet
$50.00
Fever Dream | 46.4
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