Feature

Notes on Abundance 

Notes on Abundance 

from LooseLeaf Magazine In 2015 I had a wild dream to start a publication for pan-Asian writers and artists, and that winter, in partnership with a bunch of equally naive and down-for-anything Asian creatives, LooseLeaf Magazine emerged. Like a lot of other grassroots...

Artist Spotlight: Artwork by Alisha Sian

Artist Spotlight: Artwork by Alisha Sian

To celebrate the publication of issue 44.1 Growing Room, we’re delighted to share artwork by the Alisha Sian, who was intended to be a part of our first ever festival marketplace at the 2020 Growing Room Literary & Arts Festival. You can also find more of Alisha's...

Artist Spotlight: Divya Kaur Photography

Artist Spotlight: Divya Kaur Photography

Divya Kaur Photography is the work of Divya Kaur, a queer neurodivergent punjabi artist living in diaspora on the stolen territory of the Semiahmoo, Katzie, Kwikwetlem, Kwantlen, Qayqayt and Tsawwassen First Nations, colonially known as Surrey BC. In her photography,...

Plasticnic and Plasticpoems by Fiona Tinwei Lam

Plasticnic and Plasticpoems by Fiona Tinwei Lam

Below are short, animated poems created by Fiona Tinwei Lam in collaboration with Vancouver animators Tisha Deb Pillai and Nhat Truong. These short, plastic-pollution-themed video poems were intended to be screened at the 2020 Growing Room Literary & Arts...

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 SCIENCE

I hope this issue makes you curious and furious, leads to 2 a.m. Wikipedia rabbit holes, fulfills urges to seek out knowledge-keepers. Quickly or slowly, dive in: -ologies of all varieties await you.

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ROOM 49.1 No Future for Who?

In Room Magazine 49.1 No Future for Who?, we are really asking. We are coming in hot. We are causing a scene. We are being unreasonable. We are not fucking around. We are not taking “no” for an answer. “No” is the only word we still know. For who? For who? No.

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