Artist Spotlight: Artwork by Alisha Sian

Alisha Sian

To celebrate the publication of issue 44.1 Growing Room, we’re delighted to share artwork by the Alisha Sian, who was intended to be a part of our first ever festival marketplace at the 2020 Growing Room Literary & Arts Festival. You can also find more of Alisha’s work in the print issue, which you can order online. Alisha Sian is a long-time dweller in the world between realism and abstraction. A career as a Registered Nurse, her South Asian heritage, and her compassion for all living beings each play dominant role in her goal as an artist—to find solace in the darkest places.

23 by Alisha Sian

23 is an unconventional coming-of-age story created in April 2020 using graphite pencil, conte pencil, and water-soluble graphite on 14 by 17-inch paper. This drawing shows the subject exploring and dismantling their own face in order to find a voice. The use of mixed media portrays the different layers we build as time goes on. The person you are now is not the person you always were. Sharing that can be an incredibly personal and scary experience.

Take This Poison and Grow by Alisha Sian

Take This Poison and Grow is a 14 by 17-inch piece created in May 2020 from graphite and water-soluble graphite on paper, and shows a person offering whatever they can to unkempt land upon which a tremendous amount of effort is needed to achieve growth. Internal conflict, frustration, and potent desire is displayed in a barren setting where all odds are placed against the subject the viewer is meant to identify with. Instead of support and love, the person is given poison and expected to grow.

You can continue to support and celebrate the rest of our Growing Room artists by ordering issue 44.1 Growing Room online, and watch this space as we share more content from contributors to the Growing Room 44.1 issue all throughout the month of March.

Surrey-based visual artist, Alisha Sian is a long-time dweller in the world between realism and abstraction. A career as a Registered Nurse, her South Asian heritage, and her compassion for all living beings each play dominant role in her goal as an artist—to find solace in the darkest places.

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 Science

Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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