I once kept a tangerine in my purse. I watched it turn leathery, sweet and puckered. Eventually, there was nothing to it at all, just a dried-up husk. I once kept a tangerine in my purse. I watched it turn leathery, sweet and puckered. Eventually, there was nothing to...
We're excited to announce the shortlist of our first annual Cover Art Contest. With over 300 works of visual art to choose from, judges Amy Friend & Ilene Sova have selected this list by five artists. We're excited to announce the shortlist of Room's first Cover Art...
We enter the narrative after the fight, after the authorities are called, after the unnamed protagonist leaves and the rain has started. “She has always liked that,” drums the narrator in a tone which persists as poetically matter-of-fact, at times as bleak as the...
Leah Horlick’s second collection of poetry is a fictionalized autobiography that focuses on a violent lesbian relationship. Leah Horlick’s second collection of poetry, For Your Own Good, is a fictionalized autobiography that focuses on a violent lesbian relationship....
Dream # 1: Diogenes Lights the Lamp “Come, child,” Diogenes takes me by the hand. “Let me show you the way.” His fingers are gnarled and twisted, ancient twigs. Dream # 1: Diogenes Lights the Lamp “Come, child,” Diogenes takes me by the hand. “Let me show you the...
who secretly thrilled to Ursula who shared her envy of that underwater voice and wanted nothing more than to throat it. To swallow. To use it however we liked. We, the ones who tried to belt some mournful song but heard just screechy child warbles, nothing sultry. Who...
Not whole, the way we know them now, but fragmentary hollow skeletals that seal the human or reveal what it once was. Breath stolen by volcanic gas and corpses dressed in ashes. An imprint of dust upon the body, or the body onto dust. Excavators filled the distance...
Each word in Leak, Kate Hargreaves’s debut collection of poetry, is deliberate, carefully chosen to test the boundaries of the English language. In Leak, nouns become verbs, verbs become nouns, words shift meaning, and prose flows loosely, free of punctuation. These...
Julia Leggett’s debut collection, Gone South and Other Ways to Disappear, is a look into the lives of eight women as they experience varying degrees of disappointment. These are stories that take place just as the rug of how-the-protagonists-thought-life-should-be is...
Elaine Woo’s debut poetry collection opens with a birth, a book slipping into life surrounded by a “throng of reading witnesses.” Cycling with the Dragon is this book, a collection interested in the intersection of life and craft, the forming and gathering of thought...
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ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
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ROOM 49.2 Science
Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.
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