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Black History Month Interview Feature: Nic Wayara on Black and Indigenous solidarity

Black History Month Interview Feature: Nic Wayara on Black and Indigenous solidarity

Tansi, hello! Welcome to our online celebration of Black History Month with the Indigenous Brilliance Collective and Room Magazine. For the month of February, we will be sharing weekly content on the @indigenousbrilliance Instagram page, as well as over here on the Room Magazine website. This month we will explore different media recommendations from Patricia Massy of Massy Books, share interviews and content from featured Black and Black/Afro-Indigenous creatives, as well as dive into thought provoking questions, all related to the topic of Black/Afro-Indigeneity on Turtle Island.

For this first week, we will be exploring the ways in which Black and Indigenous people have been in solidarity throughout history. Featuring an interview with Nic Wayara of Hook or Crook Consulting co., we will dive into some conversation and imagining of ways that we can continue to show up for each other, transcending structures of lateral violence and colonial systems of oppression within and between Black and Indigenous communities. We hope you enjoy it!

Mind the Sentencing Gap

Mind the Sentencing Gap

Mind the Sentencing Gap is the honourable mention for the 2020 Short Forms Contest, selected by Judge Lisa Bird-Wilson. It is meant to be read in the graph it is presented in above; the text version of the piece is below. --- The day dawns cool; it turns mild by noon....

Black History Month: What is Hogan’s Alley?

Black History Month: What is Hogan’s Alley?

For this week, we will be focusing on some local history and geographical discourse relating to the community of Hogan’s Alley, on the unseeded and unsurrendered territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. As well, we will be discussing an award winning short film titled Where We Meet by Lexi Mellish-Mingo and Karmella Cen Benedito De Barros. We hope you enjoy it!

(Un)masking a Poet as Plural and Porous

(Un)masking a Poet as Plural and Porous

Who “I” am is entangled with a host of others, not just other humans and their stories, transnational production processes, institutions of power, but also clusters of other-than-humans, including other animals, bodies of water, lands, and even inorganic elements such as viruses. “I” am vulnerable and plural because the border of my skin is porous and because in my psyche are lodged the thoughts and ideas of others.

Where Longing Lives

Where Longing Lives

I am not homeless in the literal sense and I don’t have the language to describe the home for which I feel intense longing. Terrene, waves, raindrops, bark, foundation, walls, roof, pen strokes on a page, flick of the tongue, tightening of lips, closure of the vocal chords, intimacy, trust, embrace, connection.

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 Science

Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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