The results are in. Major congrats to the three winners of our 2020 Cover Art Contest! First Place: MENTAL LOAD 02, by Masha Nova Masha Nova explores womanhood, feminism, and ongoing events in her latest collage work. Born in 1992 and raised in Russia (Siberia), as a...
Honourable Mention: My Father Catches Me Confronting Memory, by Tea Gerbeza During my adolescence, I often returned to photographs of my family during the Yugoslavian civil war, packed away in a shoebox. Memories stacked on each other. Even though I was barely a...
My introverted grandfather used a code to let my extraverted grandmother know when he was running out of steam at parties: fists by his side meant he had some energy; one fist in the air, spotted across the room, meant he was running on steam; both raised above his head meant he was finished and had no energy left for socialization.
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
Amidst all the swirling anxieties of the pandemic, I had almost forgotten I was brown. I had forgotten that the eyes looking out from above my mask were deep inky pools which so often failed to reflect familiarity and belonging.I had forgotten that, while my hands were gloved and hidden, my sepia arms betrayed my origins in a sun-washed and sun-dried land.
from LooseLeaf Magazine In 2015 I had a wild dream to start a publication for pan-Asian writers and artists, and that winter, in partnership with a bunch of equally naive and down-for-anything Asian creatives, LooseLeaf Magazine emerged. Like a lot of other grassroots...
Below are short, animated poems created by Fiona Tinwei Lam in collaboration with Vancouver animators Tisha Deb Pillai and Nhat Truong. These short, plastic-pollution-themed video poems were intended to be screened at the 2020 Growing Room Literary & Arts...
Beany John embodies the Two Spirit shapeshifter: dancer and storyteller. As a multidisciplinary artist, Beany is continually inspired and motivated to influence Indigenous people to feel validated and strong: "We manifest the royalty of our ancestors before contact,...
Kihew and Rose is created and owned by Adrienne Larocque, a Nehiyaw Iskwew (Plains Cree Woman) from Maskwacis, AB in Treaty 6. She lives and creates with gratitude on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Peoples. Kihew and Rose...
the invention / of the speed of bamboo scrambles in the hands of the young
/ determined / to serve the elders that fed them first
ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Canada | 49.3
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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