“Motherhood, (or the Stranger and the Cave)” is the Third Place winner for Room’s 2024 Fiction Contest. Of this piece, judge Sarah Bernstein writes: "This exquisitely-written piece about a being living at the mouth of a mysterious cave has shades of Angela Carter....
Why is humour sacred and what is its role within literature? Jane: Humour is incredibly important within the storytelling traditions of so many of our communities. It signals shared values and the capacity to break rules, find joy, and expose ethical failings in an...
This week, we turn to Rasha Abdulhadi's “The Nasib, standing at the ruins" (first published in ROOM 39.1: MIGRATION) as we witness, grieve, and work against the ongoing genocide against the Palestinian people. As we continue to amplify Palestinian voices, we urge our...
We are so thrilled to announce the longlist for our 2024 Fiction Contest! A big thank you to our Room collective members for selecting our longlist. These submissions will now be reviewed by this year's judge, Sarah Bernstein. A big congratulations to these talented...
This National Poetry Month, we're offering a sneak peek from our latest issue, Room 47.2 Seedpod. Here's “What should be safe” by Livia Meneghin, the Second Place Winner of Room’s 2023 Poetry Contest judged by John Elizabeth Stintzi: “What should be safe” Livia...
“maskihkîwiwat” is the Third Place Winner of Room’s 2023 Short Forms Contest, as judged by Tsering Yangzom Lama. You can find the full list of winners, and what Tsering had to say about each winning piece, here. maskihkîwiwat My cousins made me promise that I’d spend...
This National Poetry Month coincides with both spring and the solar eclipse, bringing change to the forefront. Here's a collection of ten poems about change from Room issues to sit with during this time of transformation and learning. "Old and Wise," by Jónína...
Photo: cover art of Room 35.3 Duality Looking for inspiration before submitting to our 2024 Fiction Contest? Check out this fiction piece by our judge Sarah Bernstein, "Vanishing Point," from Room 35.3 Duality. ——— Over coffee, she observes the way the October...
On January 28 at 3:30 pm PST, join Indigenous Brilliance for a virtual winter reading featuring a stellar line-up of Indigenous storytellers! Since 2018, the Indigenous Brilliance Collective has come together with a shared vision of Indigenous resurgence: a resurgence...
“I don’t believe in God but I do believe we should” is the Third Place Winner of Room’s 2023 Poetry Contest, as judged by John Elizabeth Stintzi. You can find the full list of winners, and what John had to say about each winning piece, here. I don't believe in God but...
ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Canada | 49.3
Price range: $15.00 through $25.00
Science | 49.2
Price range: $19.00 through $29.00
No Future For Who? | 49.1
Price range: $15.00 through $25.00
REST/UNREST | 48.3
Price range: $15.00 through $25.00
Travellers | 48.2
Price range: $15.00 through $25.00
Wits End | 48.1
Price range: $15.00 through $25.00
Full Circle | 47.4
Price range: $15.00 through $25.00
Bodies | 47.3
Price range: $15.00 through $25.00
Seedpod | 47.2
Price range: $12.00 through $25.00
Utopia | 47.1
Price range: $12.00 through $25.00
