Room Magazine invites unpublished writing on any theme for our open issue 48.4, edited by Sadie Graham, Natasha Gauthier, Fran Pacchiano, and Chimedum Ohaegbu. Without prescription or limitation, we want to see your best work. Work that takes risks, with language...
To love is to risk, to be dangerous enough to sigh, cry, laugh, and jest in the most harrowing of conditions, in grief, and in the solemnity of witness. Dreams of love and liberation are filled with laughter, wit, and irreverence or they are not full. In Room’s Wits...
How can we envision the future in times of mass crisis and grief? We learn what it means to imagine better worlds ⎯ or if such a thing exists ⎯ as Whitney French speaks to Terese Mason Pierre in Room 47.1 Utopia. This post is part of our 2025 Black Futures Month &...
Black History / Black Futures Month Statement 2025 marks 30 years since, following a motion by the Honourable Jean Augustine, the first Black woman elected to Canada’s parliament, the House of Commons recognized Black History Month in Canada. Yet it’s only been 17...
This Black Futures Month & Black History Month, we're republishing brilliant works and conversations with Black organizers, writers, and artists from Room's past issues, to live on our site in perpetuity. Today, we're sitting with this conversation between Syrus...
As we consider the role of humour in revealing life's absurdities and challenging power, we’re sitting with "The Durian Demon," a new fiction piece by Room 48.1 Wits End's commissioned writer, Lydia Kwa. The Durian Demon Lydia Kwa It could use a decent...
What is the relationship between translation and resistance? In this interview, former member of Room's collective, Tamara Jong, speaks to author Yilin Wang about translating poetry, celebrating meaning, and more. Yilin Wang 王艺霖 is a writer, poet, editor and...
We know that rest is essential for our well-being and for staying grounded in the vital work of resistance and transformation, yet it’s easy to get caught in the whirlwind of constant motion. Room staff and editors shared the following practices to support you in...
We continue to honour and stand alongside the Palestinian people, who resist the ongoing colonization of their lands, apartheid, and genocide perpetuated by “Israel”. In this moment of crucial conversations in “CanLit,” we find it instructive to look to movements like...
Bird Suit by Sydney Hegele Invisible Publishing 272 pages $16.95 “The Port Peter peaches lure tourists,” begins Sydney Hegele’s debut novel, Bird Suit, and their hypnotic writing lures readers into this sickly-sweet saga just as effectively. Nestled on the shores of...
ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Canada | 49.3
Price range: $15.00 through $25.00
Science | 49.2
Price range: $19.00 through $29.00
No Future For Who? | 49.1
Price range: $15.00 through $25.00
REST/UNREST | 48.3
Price range: $15.00 through $25.00
Travellers | 48.2
Price range: $15.00 through $25.00
Wits End | 48.1
Price range: $15.00 through $25.00
Full Circle | 47.4
Price range: $15.00 through $25.00
Bodies | 47.3
Price range: $15.00 through $25.00
Seedpod | 47.2
Price range: $12.00 through $25.00
Utopia | 47.1
Price range: $12.00 through $25.00
