Five writers have made our 2021 Fiction Contest Shortlist. A big thank you to our esteemed judge, Jenny Heijun Wills, for her careful consideration, and congrats to these talented writers! We Climbed Up Glaciers, by Rayne Weinstein Love with Responsibility, by...
The time has come for us to share the longlisted pieces from our 2021 Fiction Contest. Congratulations to the following thirteen writers, and thank you to all those who submitted their work! Chitlin, by Chloe Copti Love with Responsibility, by Alana Rigby...
Augur Mag is a homegrown, volunteer-run speculative fiction magazine that focuses on giving a platform and voice to authors, characters and themes generally underrepresented in the speculative fiction scene, and encourage underrepresented authors to submit their...
Room Magazine is pleased to announce that the next managing editor of the esteemed feminist literary collective will be Shristi Uprety. Shristi Uprety (she/her) is a Nepali writer from Kathmandu, currently living on the unceded territory of the Musqueam, Squamish, and...
It’s a recurring phrase in my work, and has come to mean a lot of things. Holding something half-heartedly you’d do with one hand. But if you really want something, to claim it, you’d take it with both hands. When this line appears at the end of the book, it’s about expansion and pushing. A lot of this chapbook is about permissions and entering oneself. Part of that is pushing away the smallness, letting myself be big.
When they started dating, Almost Daddy visited every month. He picked her up on Sundays after her cashier shift at the pharmacy, at Dundas and Spadina in Downtown Chinatown. She wore the same Niagara Falls coat, layering on a second jacket in the winter. Unlike most refugees that she knew, Guelph Guy had his own car. He’d pick her up and take her on walks by the harbourfront. To feel the humidity of indoor plants at Allan Gardens, to watch movies at the University Theatre on Yonge Street.
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
The 2021 Creative Non-Fiction Contest judge is award-winning educator, researcher, and writer, Dr. Njoki Wane. Dr. Wane has consistently used her positions in academia and policy-making to advance an agenda of equity and an intersectional approach. She is also the...
We are thrilled to announce the upcoming 45.1 Ancestors issue of Room magazine! This issue will feature commissioned work from Francesca Ekwuyasi, author of Butter Honey Pig Bread (Arsenal Pulp Press, 2020), shortlisted for Canada Reads, a Lambda Literary Award, a...
The city at night: I love it at this hour for its movement, rhythms, and peoples. As I walk, I look at the lights lining the buildings of Vancouver’s Downtown Eastside— every flicker, every flashing square fading in and out is a story or poem I’d imagine of someone else’s life, transporting me into a rhythm of the city beyond myself.
ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Canada | 49.3
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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