The results are finally here! Here are the winning entries to our Creative Non-Fiction Contest as selected by our esteemed judge, Dr. Njoki Wane. A major congrats to these three writers! Here are what our judge has to say about the winning submissions: First Place:...
I Can Feel Him Breathing is the honourable mention for the 2021 Creative Non-Fiction Contest, as selected by Judge Dr. Njoki Wane. _____________ In the morning I stand in front of the bedroom closet, half-dressed, wrestling with the sliding door. The door won’t...
Michelle Good is a Cree writer and a member of the Red Pheasant Cree Nation in Saskatchewan. After working for Indigenous organizations for twenty-five years, she obtained a law degree and advocated for residential school survivors for over fourteen years. Good earned...
In this episode of the Indigenous Brilliance Podcast, we celebrate the long awaited Issue 44.3 Indigenous Brilliance going to print (IN FULL COLOUR)! In honour of this special occasion for the Indigenous Brilliance team, co-host Karmella Benedito De Barros shares...
We know you've been waiting with bated breath. Here it is: the shortlist for the 2021 Creative Non-Fiction Contest. Many thanks, again, to all those who entered, and to our wonderful judge, Dr. Njoki Wane. Congratulations to the five writers whose contest submissions...
It's finally here: our 2021 Creative Non-Fiction Contest longlist! Congratulations to these thirteen writers, and a heartfelt thank you to all those who submitted work to this year's contest. Light and Shadow: One Painting, Two Lives, Emily McKibbon Zebrafish, Neive...
We asked ourselves what indigeneity meant for us on ministik/Turtle Island, what our work looked like in conversation with global indigeneity and global entanglements of colonialism and imperialism, how Indigenous Brilliance as a collective previously made space, or didn’t make space, for our Afro and Black-Indigenous kin. The issue, then, became a space for these questions to be explored, centred, and interrogated, and the result is a physical testament to the brilliance of every Black, Indigenous, and Afro-Indigenous creative celebrated throughout these pages, and all those they carry with them in their work.
Sounds, imagery, a beautiful idea. That is not to say I don’t appreciate ugliness in poetry, or the unbeautiful, especially as a startling contrast to what is beautiful.
Room Magazine invites unpublished writing on any theme for our open issue 45.2, edited by Lue Palmer, alongside Assistant Editor, Micah Killjoy and Shadow Editors, Cassandra Cervi and Ruchika Gothoskar. Get a chance to be published alongside this year's contest...
The results are in! Congrats to these three talented writers for being selected as the winners of our 2021 Fiction Contest! First Place: Of Dust, by N.B. N.B. is a queer friend, writer and researcher who cares a lot about the meaning of care. She is currently...
ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Canada | 49.3
Price range: $15.00 through $25.00
Science | 49.2
Price range: $19.00 through $29.00
No Future For Who? | 49.1
Price range: $15.00 through $25.00
REST/UNREST | 48.3
Price range: $15.00 through $25.00
Travellers | 48.2
Price range: $15.00 through $25.00
Wits End | 48.1
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Full Circle | 47.4
Price range: $15.00 through $25.00
Bodies | 47.3
Price range: $15.00 through $25.00
Seedpod | 47.2
Price range: $12.00 through $25.00
Utopia | 47.1
Price range: $12.00 through $25.00
