It's finally here: the longlist for our 2021 Poetry Contest. Many thanks to all our readers, and to those who submitted their work. Congratulations to these talented poets! ---- non-consensual, by Eva Wissting Last night in my mother's house, still a maiden, by Zoe...
full of saskatoon berries sage-smoke & yarrow wild columbine & aster
where the trees grow crooked
by swift-flowing rivers
& grassy hills where bu alo used to jump
In trying to find a common theme between all the pieces of this issue, I kept returning to the idea of what it means for us, as writers and artists, to pull at the threads of our identities and inventions in order to lay them on the page. Working alongside my thoughtful editorial team, this issue celebrates writers and artists whose work draws open language and guides us with care through the possibilities of storytelling.
Our 2021 Short Forms Contest is being judged by Michelle Good! Michelle Good is of Cree ancestry, a descendent of the Battle River Cree and a member of the Red Pheasant Cree Nation. She graduated from UBC with a Master of Fine Arts Degree in Creative Writing MFA in...
We invite you to submit your unpublished work to the “Audacity” issue of Room—an issue we hope will dare to risk normalcy and politeness in the name of bold and uncompromising truth. “Audacity” will be edited by Molly Cross-Blanchard (author of Exhibitionist) and...
In this episode of the Indigenous Brilliance podcast, jaye and Karmella chat about all things Halloween. This episode is full of tricks and treats, featuring discussions of our favourite scary movies and reading recommendations. Decolonizing pumpkins as a sovereign...
One of the epigraphs at the beginning of the novel is an invocation to the Loas. Ma Lou’s section also begins with an incantation to one of the manifestations of Erzulie. I wanted the reader to feel right away that they were being brought into a place where spirituality animates the culture in the best of ways—to accompany the characters in their lives.
From October 18-24 2021, the 34th annual Vancouver Writers Fest will once again take place on Granville Island. As Artistic Director Leslie Hurtig writes, “In a year when our worlds became so small, and doorways closed, it was through art, music, and books that many of us found new pathways.”
In this episode of the Indigenous Brilliance podcast, jaye and Karmella share space with tattoo artists Jaz Whitford and Jaime Blankenship. Together in this episode, we discuss themes of Indigenous tattooing as a cultural and ceremonial practice of gifting and...
I have been in this role of Artistic Director for the past four years, and before that I sat on the Board of Directors for about 15 years. I love the team that we have built together, and it’s always a real team effort to put this festival on. This role of Artistic Director is one that allows me to be a little bit creative and bring in other people to share their ideas, creating and shaping an interesting festival, I hope.
ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Canada | 49.3
Price range: $15.00 through $25.00
Science | 49.2
Price range: $19.00 through $29.00
No Future For Who? | 49.1
Price range: $15.00 through $25.00
REST/UNREST | 48.3
Price range: $15.00 through $25.00
Travellers | 48.2
Price range: $15.00 through $25.00
Wits End | 48.1
Price range: $15.00 through $25.00
Full Circle | 47.4
Price range: $15.00 through $25.00
Bodies | 47.3
Price range: $15.00 through $25.00
Seedpod | 47.2
Price range: $12.00 through $25.00
Utopia | 47.1
Price range: $12.00 through $25.00
