The Audacity Issue, 45.3, is almost here! To celebrate, here’s an interview with issue commission, Marlowe Granados, where she talks with Jasmine Sealy about her acclaimed debut novel Happy Hour, measures of success, and the power of fashion.
With this issue, I set out to curate a collection of work that made me feel less alone. Which is maybe a leap from “Audacity,” but when you think about it, audaciousness can often be perceived as scandalousness, and scandal can translate to shame, which can make us feel isolated in a way that prevents us from seeing how our own brazen behaviour is echoed by our peers.
The wait's over: our 2022 Creative Non-Fiction Contest longlist is here! Congratulations to these twelve writers, and our sincerest gratitude to all those who submitted work to this year’s contest. ---- Room Magazine’s 2022 Creative Non-Fiction Contest Longlist Girl...
Room Magazine invites unpublished writing on any theme for our open issue 46.2, edited by Geffen Semach, alongside Assistant Editor Ruchika Gothoskar and Shadow Editors Annick MacAskill and Nara Monteiro. Send us your writing from between spaces; liminal writing that...
In Episode 2: Futurism and Cyber Gardening, co-hosts Karmella Benedito De Barros and Lexi Mellish Mingo chat with Whitney French of Hush Harbour Press about the concept of cyber gardening and creating connections and community both online and offline.
This year's Poetry Contest judge is the prolific Lillian Allen. A leading Canadian poet and an international exponent of dub poetry, Lillian Allen was acclaimed a foremother of Canadian poetry by the League of Canadian Poets. She is a two-time Canadian Juno award...
June is National Indigenous History Month, and June 21st is Indigenous Peoples Day. At the end of the month and ahead of #CancelCanadaDay on July 1st, we'd like to take some time to highlight some of our collective's favourite Indigenous authors and their works! We...
There’s a lot of plot in this book. The idea of a woman, the ground shifts beneath her, and suddenly she is looking at everything and everybody in her life with suspicion—that was always the starting point, that was the impetus for it.
As I was writing, it occurred to me that this is exactly how it would happen—climate change makes this disease harder to deal with, and the disease makes climate change harder to deal with, and neither of them gets solved. That’s how you end up with the situation in the “Annual Migration of Clouds.”
Cid V. Brunet’s debut memoir, This Is My Real Name: A Stripper’s Memoir, is a loving, vengeful lament to sex work, based on the ten years Brunet worked as a stripper across Canada under the name Michelle. Anarchist and self-described “queer separatist,” Brunet reconstructs their experiences as Michelle with a precise, devastating eye, offering both the grime and glitter of the industry with the same restrained lyricism.
ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Canada | 49.3
Price range: $15.00 through $25.00
Science | 49.2
Price range: $19.00 through $29.00
No Future For Who? | 49.1
Price range: $15.00 through $25.00
REST/UNREST | 48.3
Price range: $15.00 through $25.00
Travellers | 48.2
Price range: $15.00 through $25.00
Wits End | 48.1
Price range: $15.00 through $25.00
Full Circle | 47.4
Price range: $15.00 through $25.00
Bodies | 47.3
Price range: $15.00 through $25.00
Seedpod | 47.2
Price range: $12.00 through $25.00
Utopia | 47.1
Price range: $12.00 through $25.00
