Poems in Beast at Every Threshold attempt both: the consumption of media and narratives is a process of looking for reflections of the self in another, while to “fluent” is to, in a way, translate between languages of love and touch.
In their debut essay collection, Lori Fox examines the intersections of queerness, class, poverty, gender, and mental heath. This Has Always Been a War is written in eleven essays and with each one Fox brings humour, urgency, and just the right amount of anger to conversations that demand attention.
Drumroll, please! Here are the three winners of our 2022 Creative Non-Fiction Contest, as chosen by judge Luna Ferguson. A big congratulations to these three writers! Here is what Luna had to say about their works: First Place: Clink Canoe, by Sydney Roberts Sydney...
At my loneliest I choose a lover for every corner of the city
the city is brand new to me and appears completely flat
the water is the bottom edge
It’s finally here! Congrats to the following six writers who were shortlisted by our judge, Luna Ferguson, for our 2022 Creative Non-Fiction Contest! ---- Room Magazine’s 2022 Creative Non-Fiction Contest Shortlist Clink Canoe, by Sydney Roberts when ghosts dance, by...
Room is looking for an intern to support our Marketing and Contests Coordinator in designing and executing an improved marketing plan for the magazine! This position is fully remote, with optional opportunities to meet the team, work from the office, or attend events...
The Audacity Issue, 45.3, is almost here! To celebrate, here’s an interview with issue commission, Marlowe Granados, where she talks with Jasmine Sealy about her acclaimed debut novel Happy Hour, measures of success, and the power of fashion.
With this issue, I set out to curate a collection of work that made me feel less alone. Which is maybe a leap from “Audacity,” but when you think about it, audaciousness can often be perceived as scandalousness, and scandal can translate to shame, which can make us feel isolated in a way that prevents us from seeing how our own brazen behaviour is echoed by our peers.
The wait's over: our 2022 Creative Non-Fiction Contest longlist is here! Congratulations to these twelve writers, and our sincerest gratitude to all those who submitted work to this year’s contest. ---- Room Magazine’s 2022 Creative Non-Fiction Contest Longlist Girl...
Room Magazine invites unpublished writing on any theme for our open issue 46.2, edited by Geffen Semach, alongside Assistant Editor Ruchika Gothoskar and Shadow Editors Annick MacAskill and Nara Monteiro. Send us your writing from between spaces; liminal writing that...
ROOM 49.1 NO FUTURE FOR WHO?
We are really asking. We are coming in hot. We are not fucking around. These existential crises, these states of emergency. The poetry, prose, and art in this issue ask: what are we to make of, or in, them?
ROOM 48.3 Rest/Unrest
In Room Magazine 48.3 Rest/Unrest, may you find rest as you engage with profound, necessary unrest.
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Future For Who? | 49.1
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REST/UNREST | 48.3
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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