One of the epigraphs at the beginning of the novel is an invocation to the Loas. Ma Lou’s section also begins with an incantation to one of the manifestations of Erzulie. I wanted the reader to feel right away that they were being brought into a place where spirituality animates the culture in the best of ways—to accompany the characters in their lives.
I have been in this role of Artistic Director for the past four years, and before that I sat on the Board of Directors for about 15 years. I love the team that we have built together, and it’s always a real team effort to put this festival on. This role of Artistic Director is one that allows me to be a little bit creative and bring in other people to share their ideas, creating and shaping an interesting festival, I hope.
Sounds, imagery, a beautiful idea. That is not to say I don’t appreciate ugliness in poetry, or the unbeautiful, especially as a startling contrast to what is beautiful.
Augur Mag is a homegrown, volunteer-run speculative fiction magazine that focuses on giving a platform and voice to authors, characters and themes generally underrepresented in the speculative fiction scene, and encourage underrepresented authors to submit their...
It’s a recurring phrase in my work, and has come to mean a lot of things. Holding something half-heartedly you’d do with one hand. But if you really want something, to claim it, you’d take it with both hands. When this line appears at the end of the book, it’s about expansion and pushing. A lot of this chapbook is about permissions and entering oneself. Part of that is pushing away the smallness, letting myself be big.
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
The 2021 Creative Non-Fiction Contest judge is award-winning educator, researcher, and writer, Dr. Njoki Wane. Dr. Wane has consistently used her positions in academia and policy-making to advance an agenda of equity and an intersectional approach. She is also the...
We discuss the need for writing spaces specific to the BIPOC writers and how, for a non-writer of colour, this need may seem counterintuitive to forming a collaborative writing environment. Faith explains how privilege normalizes an individual’s reality in such a way that it limits what they see and don’t see, and, since they don’t see anything else, they don’t perceive a need for it.
More than a month has passed since the shootings in Atlanta, Georgia, which primarily targeted Asian women who worked in massage parlours and spas, perceived to be sex workers. As the we grieve, reflect, and take action in its aftermath, it’s important to continue...
I am anchored through the idea of “open” to guide my process as I’m looking at submissions. How does language require opening? How do we give up all assumptions? How do we dig out definitions?
ROOM 47.4 FULL CIRCLE
Step back with Room into the past, to parents, to childhood homes, and to people once known and loved; dig into themes of grief and healing; and ultimately explore what it means to come full circle in literature.
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
Full Circle | 47.4
$15.00 – $25.00
Bodies | 47.3
$15.00 – $25.00
Seedpod | 47.2
$12.00 – $25.00
Utopia | 47.1
$12.00 – $25.00
Sponsor a Contributor
$250.00
Sponsor a Writer
$100.00
Sponsor a Poet
$50.00
Fever Dream | 46.4
$12.00 – $25.00
Fever Dream Tote Bag — Limited Edition
Ghosts | 46.3
$12.00 – $25.00