June 21st is Indigenous Peoples day, though, of course, we need to be uplifting and supporting Indigenous peoples all year round. Here's a reading list of some of our favourite Indigenous women, Two Spirit, and Indigiqueer writers. Buy their work (from your favourite...
Gearing up for our 2023 Creative Non-Fiction Contest (deadline July 1)? Check out the first-place work from last year’s contest — “Clink Canoe,”
by MƏLIDI (SYDNEY ROBERTS) — featured in ROOM 46.2: Ley Line.
The Audacity Issue, 45.3, is almost here! To celebrate, here’s an interview with issue commission, Marlowe Granados, where she talks with Jasmine Sealy about her acclaimed debut novel Happy Hour, measures of success, and the power of fashion.
I wanted a word in my language that reflected what was inside the book—it’s a collection of stories and events that had taken place in my memory, since childhood, as well as memories spoken by my elders throughout my life.
In episode one “Love As Rest”, co-hosts Karmella and Lexi chat about intentional rest as a form of resistance and a necessary practice in sustainable growth and meaningful revolutionary change making.
The BIPOC Art ecosystem is a creative environment that is inspired by the structures, functions, processes, and symbiotic relationships found on the land where we live. As well, the ecosystem honours the wisdom and teachings of the host nations on unceded territories to which we (Karmella + Lexi) are uninvited guests. We are a part of centuries of microscopic transformations and changes, and we carry on the work of our ancestors as we centre art and community-building in the continuous fight for liberation, sovereignty, and environmental justice.
One of the epigraphs at the beginning of the novel is an invocation to the Loas. Ma Lou’s section also begins with an incantation to one of the manifestations of Erzulie. I wanted the reader to feel right away that they were being brought into a place where spirituality animates the culture in the best of ways—to accompany the characters in their lives.
In this episode of the Indigenous Brilliance Podcast, we celebrate the long awaited Issue 44.3 Indigenous Brilliance going to print (IN FULL COLOUR)! In honour of this special occasion for the Indigenous Brilliance team, co-host Karmella Benedito De Barros shares...
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
As a part of the 2020 Growing Room Literary & Arts Festival, Thu Le curated a beautiful visual art exhibition, >codex_, at Emily Carr University. This exhibit featured the work of June Tang, Taryn Sheppard, and Flavourcel Animation Collective, and was an...
ROOM 49.2 SCIENCE
I hope this issue makes you curious and furious, leads to 2 a.m. Wikipedia rabbit holes, fulfills urges to seek out knowledge-keepers. Quickly or slowly, dive in: -ologies of all varieties await you.
ROOM 49.1 No Future for Who?
In Room Magazine 49.1 No Future for Who?, we are really asking. We are coming in hot. We are causing a scene. We are being unreasonable. We are not fucking around. We are not taking “no” for an answer. “No” is the only word we still know. For who? For who? No.
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
Science | 49.2
Price range: $15.00 through $25.00
No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
Price range: $12.00 through $25.00
Utopia | 47.1
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