Alharthi’s work is careful and honest, written with respect for this grandmother character and the familial gravitas she represents. While the readers may feel a tinge of sadness for Bint Aamir and the life she could have lived, there is solace in knowing Zohour’s carries on.
Houses have smells, everyone knows that— mine is musty, mothballs and soup. This house has high arches and walls of windows and paintings of mountains, but its smell is like a new car. Aluminum, and cleaning fluid. Lonely like a showroom. Our girlish voices echo in the gallery.
Originally published in French by Mémoire d’encrier in 2017, Manikanetish is the second novel by Innu writer Naomi Fontaine. A finalist for the Governor General’s Literary Award, it now appears in English-language translation by Luise von Flotow, a professor at the University of Ottawa’s School of Translation and Interpretation.
I find this in the words of these authors—as they speak to the generosity of nature, and the changes taking place in our climate. As they delve into their interior lives and make demands for repair, stability, and rest. Their writing contemplates moments of breaking that bring us all much closer, or much further away from the future that we desire.
& the sea turns on itself, cracks the coveted
scales, bait & hook, leaves bones for the hungry
slides its rough back against home
The results are in. Major congrats to the three winners of our 2021 Cover Art Contest! FIRST PLACE: Nimisenh mizhishawabi, by Sarah McPherson Raised in Thunder Bay, Sarah McPherson is a 2S Anishinaabe youth from Couchiching First Nation, currently completing an MA at...