Back to Natural Hush

The title of this issue comes from Adele Graf’s poem “Ritardando.” I love how she contrasts the calamity of the urban world that we live in today with the natural world, where there is “ample calm awaiting here / to ease jangled voices / back to natural hush.”

It is a warm spring evening, and I have just returned from a walk in the park with my dog—and I feel the sense of stillness that often comes from time spent in nature. It’s the same feeling I get from Joanne Abraham’s cover image Endurance—a feeling of peace and calm.

The title of this issue comes from Adele Graf’s poem “Ritardando.” I love how she contrasts the calamity of the urban world that we live in today with the natural world, where there is “ample calm awaiting here / to ease jangled voices / back to natural hush.” Many of the pieces in this issue draw on this disjunction between the natural world and the industrialized world.

Many of the poems and pieces in this issue draw on images of protection and power. There is strength in nature. I chose to close this collection with Heather Pyrcz’s “The Stripper” because for me it represents the resurrection of nature as the “earth is boundless again.” This rejuvenation is uplifting because one day everything will be “back to natural hush” once again.

I had many wonderful pieces to choose from for this issue because nature is a uniquely personal experience. For me, nature is a spiritual thing, something that keeps me grounded. I hope the work of the women in these pages encourages you to rediscover or strengthen your own connection to nature.

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