There Was Once This Woman Who, at Dawn, Trespassed Across the Sand

Debbie Urbanski

She built a tower for herself. What a waste
of sand, they all thought, and to not lower
her hair down—who waits, in a desert, to be overcome

She built a tower for herself. What a waste
of sand, they all thought, and to not lower
her hair down—who waits, in a desert, to be overcome
and by what? A flood of what to take her? She might have settled
for the picador, who had a nice trough outside his stable,
or the butcher, who could have stuffed her with his leftovers,
no, she demanded more like a fool whose eyes had been put out.
So the men turned their mules away toward other towers,
toward other maidens who let down their trapped braids
as expected, leaving this other woman to grow old.
Eventually she lost her hair. Her tower collapsed. The end
and yet it isn’t. Those who saw her rubble asked
what have you lost? But look at what she has:
the rubble, her loss.

Debbie Urbanski is a writer living in Syracuse, New York. Her poems, essays, and stories have appeared in the Sun, Orion, Verse, the Kenyon Review, Nature, and Fantasy & Science Fiction. Find her at debbieurbanski.com or on Twitter

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 Science

Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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