Shoes at the Holocaust Museum

Lauren Carter

Dusty, corralled by clear walls
of plexiglass, they smell of age,

the violent polish of pain. Red,
mismatched, many, owned

by the women who wore
them, sophisticated, matching

lipstick to dress, never
imagining that by the quiet end

of one day they would
be nameless. Nothing

but animals, wrapped in skin.
Nothing but flesh

cowed under a frozen cloak
of fear. Bodies

seeking warmth from each
other, in the crowded

car of a terrifying train
tearing into night. Soft red

eather shoes an old indulgence
from another woman’s life.

Lauren Carter‘s first collection of poetry, Lichen Bright, was published by Your Scrivener Press and long-listed for the ReLit Award. She lives in Orillia, Ontario, where she is currently at work on a novel for her MFA in Creative Writing, and a second collection of poetry. Her work has appeared in several other publications.

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 Science

Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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