Poems in Beast at Every Threshold attempt both: the consumption of media and narratives is a process of looking for reflections of the self in another, while to “fluent” is to, in a way, translate between languages of love and touch.
In their debut essay collection, Lori Fox examines the intersections of queerness, class, poverty, gender, and mental heath. This Has Always Been a War is written in eleven essays and with each one Fox brings humour, urgency, and just the right amount of anger to conversations that demand attention.
Drumroll, please! Here are the three winners of our 2022 Creative Non-Fiction Contest, as chosen by judge Luna Ferguson. A big congratulations to these three writers! Here is what Luna had to say about their works: First Place: Clink Canoe, by Sydney Roberts Sydney...
The Tower Will Not Hold is the third place winner for the 2022 Creative Non-Fiction Contest, as selected by Judge Luna Ferguson. ---- I’m sitting on the rooftop of Venice Suites, enjoying a view of the hot sand, the slate-coloured water, the skinny palm trees,...
At my loneliest I choose a lover for every corner of the city
the city is brand new to me and appears completely flat
the water is the bottom edge
The Audacity Issue, 45.3, is almost here! To celebrate, here’s an interview with issue commission, Marlowe Granados, where she talks with Jasmine Sealy about her acclaimed debut novel Happy Hour, measures of success, and the power of fashion.
In Episode 2: Futurism and Cyber Gardening, co-hosts Karmella Benedito De Barros and Lexi Mellish Mingo chat with Whitney French of Hush Harbour Press about the concept of cyber gardening and creating connections and community both online and offline.
June is National Indigenous History Month, and June 21st is Indigenous Peoples Day. At the end of the month and ahead of #CancelCanadaDay on July 1st, we'd like to take some time to highlight some of our collective's favourite Indigenous authors and their works! We...
Cid V. Brunet’s debut memoir, This Is My Real Name: A Stripper’s Memoir, is a loving, vengeful lament to sex work, based on the ten years Brunet worked as a stripper across Canada under the name Michelle. Anarchist and self-described “queer separatist,” Brunet reconstructs their experiences as Michelle with a precise, devastating eye, offering both the grime and glitter of the industry with the same restrained lyricism.
The results are finally here! Here are the three winning fiction pieces as selected by our esteemed judge, Shashi Bhat. A major congrats to these three writers! --- Room Magazine’s 2022 Fiction Contest Winners First Place: Mermaid’s Tears, by Hannah Brown...
ROOM 49.2 SCIENCE
I hope this issue makes you curious and furious, leads to 2 a.m. Wikipedia rabbit holes, fulfills urges to seek out knowledge-keepers. Quickly or slowly, dive in: -ologies of all varieties await you.
ROOM 49.1 No Future for Who?
In Room Magazine 49.1 No Future for Who?, we are really asking. We are coming in hot. We are causing a scene. We are being unreasonable. We are not fucking around. We are not taking “no” for an answer. “No” is the only word we still know. For who? For who? No.
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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