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Sarah Tolmie

In memoriam Tennyson said
Nine years of things about his friend
Who’d died. He brought him back by slow
Degrees, from sunsets, wind in the trees,

In memoriam Tennyson said
Nine years of things about his friend
Who’d died. He brought him back by slow
Degrees, from sunsets, wind in the trees,

Gathering pieces painstakingly.
Tennyson, in his purity,
He never lied, never missed his line.
Grief became him metrically.

It made him blind. All he could see
Was Hallam’s absence: the whole world
A cancelled cheque, crumpled and furled,
Unspent inside his pocketbook.

There its yellowing edges curled
Until his friend crept out, imbued
Everything and made it new.
At second look, he saw it through

Lost eyes, and it was dearer far
Than it had been before. A borrowed
Death does that for you. Your own cannot.
We each will miss the lesson that

We’ve taught. Compassion is what we learn
From those who die and don’t return.
Grief gives us that hitch in the eye,
Catching on things as they pass by.


The Art of DyingFrom The Art of Dying by Sarah Tolmie
Copyright © Sarah Tolmie 2018

The Art of Dying by Sarah Tolmie is nominated for the 2019 Griffin Poetry Prize, which will be announced on June 6, 2019. This poem is republished with permission. 

 

 

 

 

Sarah Tolmie is associate professor of English at the University of Waterloo. Her poetry collection Trio was shortlisted for the 2016 Pat Lowther Memorial Award.

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In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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