Fainting Couch Feminists Episode Forty-One: How Can I Do This Story Justice?: Katie Douglas Talks Acting Traumatic Narratives

20-year-old Katie Douglas has starred in several films that navigate difficult topics like sexual abuse and the captivity of girls and women, which begs the question: how do actors inhabit a traumatic narrative without becoming traumatized themselves? In this interview, Katie and Mica chat about the popularity (and power) of womens’ dystopia, how the film and TV industry has changed since the #MeToo movement, and the pressure actors feel to “do stories justice.”

Katie Douglas’s acting career began when she was just six years old, meaning she’s been a part of the adult world for much longer than most 20-year-olds. She’s starred in films that navigate difficult topics like sexual abuse and the captivity of girls and women, which begs the question: how do actors inhabit a traumatic narrative without becoming traumatized themselves? In this interview, Katie and Mica chat about the popularity (and power) of womens’ dystopia, how the film and TV industry has changed since the #MeToo movement, and the pressure actors feel to “do stories justice.”

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 Science

Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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