Wildlife

Keira Zikmanis

The honourable mention of our 2014 poetry contest, judged by Sonnet L’Abbé.

Wet light hints at the tin roofs
of Dawson City squats,
the barn-like red
wood exterior of the Downtown Hotel.
The sky says dawn
but my watch says 3. I am coming home
from the The Midnight Sun
where I spent the evening watching people move—
push back their red leather seats to go smoke,
slide hands across varnished wood to meet other hands,
slam shot glasses into filmy booze puddles. I watched
a sweaty man with a square head and mean eyes
take Dee home at the end of the night.
Watched for empty glasses and secret sleepers,
sticky coins left on tables. Yes,
I have been the watcher.

Now, walking down the boardwalk on 4th, the
dirt road muddy after the rain, I feel the favour
returned – feel something eyeing my bare feet,
my razor-burnt legs, flats in hand. I spot a fox
between the cinderblocks undwer my trailer home,
his face like soot clouding into the air,
pupils slits suspended in yellow resin. He sees
me, seeing him, then turns
and starts his easygoing trot—
limbs loose and jangly,
each paw landing in a gravel grind,
each hip popping up one after the other.
Ears flat and pointed back, white-tipped tail bouncing
behind him, I watch his slinky strut home.

Keira Zikmanis is a poet and fiction writer who is currently pursuing her BA in Writing at The University of Victoria. She is from Ottawa, whose work is inspired by her extensive travels across Canada. “Wildlife” was the honourable mention for poetry in our 2014 contest.

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

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Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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