Painting a Greater Dialogue: An Interview with Hangama Amiri, Room’s Cover Art Contest Judge
Hangama Amiri, one of this year’s cover art contest judges, is an Afghan-Canadian artist. She was...
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Author: Room
There and Here, Then and Now: Madeleine Thien on Memory, Trauma, and Displacement in Her Writing
Originally published in Room Issue 35.2 “Shaping the Spark” (June 2012). Room would...
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Room’s Literary Guide to VIFF 2016
With the 35th Vancouver International Film Festival (VIFF) only ten days away, Room Magazine is...
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Deni Loubert: How to Get Girls (Into Comics)
An interview with indie-comics pioneer and Canadian Comic Book Hall of Fame inductee Deni Loubert....
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Deep Salt Water: Month Two
Welcome to Month Two of Deep Salt Water. Room is pleased to feature this captivating and...
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ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
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No Canada | 49.3
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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