Sex Work Solidarity as Healing: in four parts
Before reading this essay about accessing appropriate health and wellness care as a sex worker I’m...
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Author: Room
Burning Bridges
I attended the University of British Columbia from 2008-2014. I spent four of those six years in...
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Be Yourself: An Interview with Jen Sookfong Lee, Room’s Short Forms Judge
Jen Sookfong Lee, this year’s short forms judge, was born in Vancouver, where she now lives with...
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Deep Salt Water: Month Four
Back again for Month 4, Room is proud to feature the intensely visceral and thought-provoking Deep...
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An Interview with Jillian Tamaki, Room’s 2016 Cover Art Contest Judge
Jillian Tamaki, who will judge our 2016 Cover Art Contest with Hangama Amiri, is a professional...
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ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
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No Canada | 49.3
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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