Ruth Ozeki: On Writing for Answers and Money
Ruth Ozeki received a Kiriyama Prize for her first novel, My Year of Meats (1998), an American...
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Author: Room
Announcing our 2017 Creative Nonfiction Contest Shortlist!
We’re excited to announce our 2017 Creative Nonfiction Contest shortlist, as determined by...
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Cheung and Lau: Enriching The Future of Vancouver’s Creative Landscape
After witnessing the scarcity of diversity in the arts sector for too long, Kristin Cheung and...
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Whose Story is it? In Conversation with Alicia Elliott
Our managing editor Chelene Knight spoke with Alicia Elliott about what it’s like being an...
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Jael Richardson and the Industry-Changing FOLD
Jael Richardson is the award-winning author of The Stone Thrower: A Daughter’s Lessons, a...
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ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
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No Canada | 49.3
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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