In Conversation with Katherena Vermette
Katherena Vermette is a Métis writer from Winnipeg, Manitoba. Her collection of poetry, North End...
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Author: Room
In Conversation with Katherena Vermette
Katherena Vermette is a Métis writer from Winnipeg, Manitoba. Her collection of poetry, North End...
Read More
Kelly Morse on Having Thirty Submissions Out at Once and Stereotypes in Writing About Vietnam
Kelly Morse talks about her resolution to have thirty submssions out at once so she couldn’t...
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An Interview with Scaachi Koul
Scaachi Koul has risen to prominence over the last few years as perhaps the most recognizable...
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Phoebe Wang on Publishing in Lit Mags: “Read through a few of their issues, submit persistently, tune your intuitive gut-strings, and wait.”
“What if we all stopped the cycle of saying ‘this is who your audience is’?” Phoebe Wang is a...
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ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
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No Canada | 49.3
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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