Durga Chew-Bose: In Service of Enthusiasm and Zero Clarity
After living in New York for many years, Durga Chew-Bose returned to her hometown of Montréal to...
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Author: Room
The Hunger for BIPOC Speculative Fiction in Canada
While the erasure of Black, Indigenous, and People of Colour’s (BIPOC) lives on Turtle Island...
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Meet Arielle Spence, Editor of Room’s Magic Issue and Growing Room’s First Festival Director
Jessica Johns spoke with Arielle Spence, a queer, nonbinary aspiring writer and arts administrator...
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Zoe Whittall on Being in the Cultural Zeitgest and Judging This Year’s Room’s Fiction Contest
Zoe Whittall on her recent “zeitgeist” book, sexual harassment in CanLit, how reviews for books by...
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Scaachi Koul: On Writing About Family and Trying to Keep Secrets
Covering everything from the state of Canadian media to adult summer camps to racist marketing in...
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ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
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No Canada | 49.3
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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