Mariko Tamaki: Bleeding Edges of Queer History in Laura Dean Keeps Breaking Up with Me
Mariko Tamaki will be coming to the Vancouver Writers Fest to talk love, do improv, and offer...
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Author: Room
Poetry Contest 2019: The Longlist
Photo credit: Carissa D’andradeYou’ve waited long enough. Here are the fourteen...
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Fainting Couch Feminists Episode Sixty-Six: Can Love Survive a Terminal Illness? feat. Alison Acheson
In this episode Mica and Alison tackle questions like: is it possible to maintain romance in a...
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Fainting Couch Feminists Episode Sixty-Five: Everyone’s a Critic: Chandler Levack Talks Filmmaking and Cancelled Culture
Award-winning journalist and filmmaker Chandler is here to talk about how being a film critic has...
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Sylvia Nickerson: On Being an Artist and a Gentrifier
To learn more about her debut publication, Creation (Drawn & Quarterly, 2019),...
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ROOM 49.3 NO CANADA
In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?
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No Canada | 49.3
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Science | 49.2
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No Future For Who? | 49.1
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REST/UNREST | 48.3
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Travellers | 48.2
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Wits End | 48.1
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Full Circle | 47.4
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Bodies | 47.3
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Seedpod | 47.2
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Utopia | 47.1
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