Cover Art Contest 2019: Honourable Mention

“Calling the River” is a digital representation of future-present Indigneous life. An Indigneous youth stands tall and proud, calling out to the river by its many names. The youth has adapted a traditional ribbon skirt into ribbon pants, and traditional design work (likely stitching, beading, quillwork, tufting, and tasseling) on purse. Our youth only continue to rise, with the love of the land and their ancestors behind them, and adapt and embody their cultures.

Honourable Mention: “Calling the River” by Hali Heavy Shield

Nato’yi’kina’soyi Holy Light that Shines Bright/ Hali Heavy Shield is a member of the Blood Tribe/Kainai Nation of southern Alberta. As a writer and visual artist, Hali’s work often includes themes of Blackfoot language, storytelling, family, and the magic of laughter.

“Calling the River” is a digital representation of future-present Indigneous life. An Indigneous youth stands tall and proud, calling out to the river by its many names. The youth has adapted a traditional ribbon skirt into ribbon pants, and traditional design work (likely stitching, beading, quillwork, tufting, and tasseling) on purse. Our youth only continue to rise, with the love of the land and their ancestors behind them, and adapt and embody their cultures.—Lindsay Nixon, Room Magazine’s Cover Art Contest 2019 contest judge

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In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

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Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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