Viewer Commiseration is Contrived

Vironika Wilde

“Viewer Commiseration is Contrived” is the Third Place Winner of Room’s 2022 Poetry Contest, as judged by Lillian Allen. You can find the full list of winners, and what judge Lillian Allen had to say about each winning piece, here.


Viewer Commiseration is Contrived

Last time on “The #War”…

I try to live my life,
drink my coffee slowly,
do what дедушка says:
remember my citizenship,
fall into the safety net,
watch explosion fallouts on IG reels,
taste gunpowder too tart for mainstream.

Coming up after the break:

A brewery named Pravda (truth)
pastes the naked dictator on its label,
adds Ukrainian cussing in English letters,
makes Molotov cocktails / exploding хуйло /
distributes them in Lviv.

We’ll be right back after these short messages.

Have you had your daily dose of tragedy today?
Come see my ribcage. It’s like the Soviet paraphernalia store
on Oakwood and Vaughan: no opening hours,
call (my real name) for a visit.

We’re back!

The first refugee I met from Donbas sang, guitar to chest,
perched on a painted metal sculpture at Dundas West Fest.
I met her on pavement, eyes wet. She told me two things:
her name and “тримайся.”
It means “hold on.”

Vironika Wilde believes that poetry is medicine. She is a Ukrainian and Russian indigenous poet, spoken word artist, activist, and cat fanatic. Those who have read her poetry books, “Love and Gaslight” and “the blood in her honey,” call her raw, honest, and willing to spill tough truths about trauma, society, and the human condition. When she isn’t writing, Vironika loves getting lost, stargazing, dancing, and eating pickles (sometimes, all at once). You’re welcome to follow her on Instagram (@vironikawilde).

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 Science

Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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