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Indigenous Brilliance Issue: Letter from the Editors

Indigenous Brilliance Issue: Letter from the Editors

We asked ourselves what indigeneity meant for us on ministik/Turtle Island, what our work looked like in conversation with global indigeneity and global entanglements of colonialism and imperialism, how Indigenous Brilliance as a collective previously made space, or didn’t make space, for our Afro and Black-Indigenous kin. The issue, then, became a space for these questions to be explored, centred, and interrogated, and the result is a physical testament to the brilliance of every Black, Indigenous, and Afro-Indigenous creative celebrated throughout these pages, and all those they carry with them in their work.

Fiction Contest 2021: The Shortlist

Fiction Contest 2021: The Shortlist

Five writers have made our 2021 Fiction Contest Shortlist. A big thank you to our esteemed judge, Jenny Heijun Wills, for her careful consideration, and congrats to these talented writers!   We Climbed Up Glaciers, by Rayne Weinstein Love with Responsibility, by...

Fiction Contest 2021: The Longlist

Fiction Contest 2021: The Longlist

The time has come for us to share the longlisted pieces from our 2021 Fiction Contest. Congratulations to the following thirteen writers, and thank you to all those who submitted their work! Chitlin, by Chloe Copti Love with Responsibility, by Alana Rigby...

On Speculative Fiction: An Interview with Augur Mag

On Speculative Fiction: An Interview with Augur Mag

Augur Mag is a homegrown, volunteer-run speculative fiction magazine that focuses on giving a platform and voice to authors, characters and themes generally underrepresented in the speculative fiction scene, and encourage underrepresented authors to submit their...

With Both Hands: Poet Elizabeth Mudenyo

With Both Hands: Poet Elizabeth Mudenyo

It’s a recurring phrase in my work, and has come to mean a lot of things. Holding something half-heartedly you’d do with one hand. But if you really want something, to claim it, you’d take it with both hands. When this line appears at the end of the book, it’s about expansion and pushing. A lot of this chapbook is about permissions and entering oneself. Part of that is pushing away the smallness, letting myself be big. 

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ROOM 47.4 FULL CIRCLE
Step back with Room into the past, to parents, to childhood homes, and to people once known and loved; dig into themes of grief and healing; and ultimately explore what it means to come full circle in literature.

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