The Kingdom and After

Nav Nagra

Surreal, intense, and intimate.

Moving seamlessly through a myriad of cities and countries, Megan Fernandes’s The Kingdom and After is a dreamlike trip charting the temporal human experience in a world that seems to be shrinking. A mix of prose-like paragraphs and short quick lines, The Kingdom and After explores the construction of society and our global understanding of the self and the other. Paying special attention to language and form, Fernandes pulls the reader in closer with tightly woven words while simultaneously broadening her poetic prose into lush paragraphs. In doing so, Fernandes uses the page to present our increasingly globalized world.

At times haunting, Fernandes’s poetry takes the reader to the intimate corners of memory as in the poem “Ella” where the narrator is entranced by dreams of a woman in Russia. Using long stanzas and enjambment, “Ella” illustrates the complexities of the mind by painting memories as “sick in green fog.” These memories are questions cloaked in mystery: “What was the melody we / could never assemble? / What was the melody we / could never live without? / A Venetian Boat Song— / wrung out / of our trembling hands.” The poem is a fascinating labyrinth, depicting a girl intimately known only through blurred recollections.

In another poem, “The Flight to Sacramento,” Fernandes laces prose with poetic beauty when illustrating a macabre encounter on a flight. A simple plane conversation unveils the complex nature of war, and the impact it places on both soldiers and civilians. “I could not look away and the soldier did not want me to,” the speaker says. In this encounter, Fernandes shows the ways we can feel displaced yet remain so connected.

The Kingdom and After is surreal, intense, and intimate. Fernandes understands the power of the written word and uses it to not only illustrate the everyday—like, walking down the streets of Boston— but also brings to focus the perverse goings on in the quietest corners of the world. Wondrous and heartbreaking, The Kingdom and After is woven with subtlety and intricately placed lines of poetry that pull apart the layers of society to show what lingers behind the seemingly mundane.

Currently on Newsstands

Cover of Audacity, featuring artwork "Guts" by Gaby D'Alessandro (a split torso with guts spilling out in muted browns, greens, and reds)

ROOM 45.3 AUDACITY
Edited by Molly Cross-Blanchard
Assistant Edited by Karmella Cen Benedito De Barros
Shadow edited by Ellen Chang-Richardson and Michelle Ha

In This Issue: Gwen Aube, Georgina Berbari, Brandi Bird, Alex Maeve Campbell, Karmella Cen Benedito De Barros, Ellen Chang-Richardson, Megan Cole, Molly Cross-Blanchard, Kayla Czaga, Gaby D’Alessandro, Petranella Daviel, Kate Finegan, Marlowe Granados, Hannah Green, Michelle Ha, Kendra Heinz, Eileen Mary Holowka, Barbara Hranilovich, nic lachance, Isabella Laird, Angélique Lalonde, Elene Lam, Khando Langri, Tin Lorica, Merkat, Mridula Morgan, Em Norton, Moses Ojo, Sandy Pool, Maezy Reign, Josephine Sarvaas, Sarah Totton, Preeti Vangani, Christine Wu, Lucy Zi Wei Fang, Eugenia Zuroski

Join us on Patreon

Become a RoomMate!

Announcing Room’s New Membership Program
Seeking: RoomMates who love literature, events, merchandise, and supporting marginalized creators!

 

Subscribe to our newsletter

Be the first to know about contests, calls for submissions, upcoming events.

* indicates required

Visit our Store

Share This