My introverted grandfather used a code to let my extraverted grandmother know when he was running out of steam at parties: fists by his side meant he had some energy; one fist in the air, spotted across the room, meant he was running on steam; both raised above his head meant he was finished and had no energy left for socialization.
Stories hold the incredible power to heal wounds, connect people, and bridge generations. This is an incredibly important time to be centering the brilliance of our communities through Indigenous storytelling across diverse mediums. The Indigenous Brilliance Podcast...
Amidst all the swirling anxieties of the pandemic, I had almost forgotten I was brown. I had forgotten that the eyes looking out from above my mask were deep inky pools which so often failed to reflect familiarity and belonging.I had forgotten that, while my hands were gloved and hidden, my sepia arms betrayed my origins in a sun-washed and sun-dried land.
from LooseLeaf Magazine In 2015 I had a wild dream to start a publication for pan-Asian writers and artists, and that winter, in partnership with a bunch of equally naive and down-for-anything Asian creatives, LooseLeaf Magazine emerged. Like a lot of other grassroots...
Below are short, animated poems created by Fiona Tinwei Lam in collaboration with Vancouver animators Tisha Deb Pillai and Nhat Truong. These short, plastic-pollution-themed video poems were intended to be screened at the 2020 Growing Room Literary & Arts...
Beany John embodies the Two Spirit shapeshifter: dancer and storyteller. As a multidisciplinary artist, Beany is continually inspired and motivated to influence Indigenous people to feel validated and strong: "We manifest the royalty of our ancestors before contact,...
Kihew and Rose is created and owned by Adrienne Larocque, a Nehiyaw Iskwew (Plains Cree Woman) from Maskwacis, AB in Treaty 6. She lives and creates with gratitude on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Peoples. Kihew and Rose...
the invention / of the speed of bamboo scrambles in the hands of the young
/ determined / to serve the elders that fed them first
To celebrate the publication of issue 44.1 Growing Room, we’re delighted to share this song, Song 1, by Karmella Cen Benedito De Barros, Community Engagement Leader for Room. Karmella does incredible work, both inside and outside of this organization, and she was...
Tansi, hello! Welcome to the final week of our online celebration of Black History Month with the Indigenous Brilliance Collective and Room Magazine. For the month of February, we have been sharing weekly content on the @indigenousbrilliance Instagram page, as well as...
ROOM 49.1 NO FUTURE FOR WHO?
We are really asking. We are coming in hot. We are not fucking around. These existential crises, these states of emergency. The poetry, prose, and art in this issue ask: what are we to make of, or in, them?
ROOM 48.3 Rest/Unrest
In Room Magazine 48.3 Rest/Unrest, may you find rest as you engage with profound, necessary unrest.
Seeking members who love literature, events, merchandise, and supporting marginalized creators.
No Future For Who? | 49.1
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REST/UNREST | 48.3
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