Who can resist the chance to climb
into another skin? Into myth-spit
caricature? A sideshow mockery
in felt-dripped-fringe?
Who can resist | the chance to climb | |
into another skin? | Into myth-spit | |
caricature? | A sideshow mockery | |
in | felt-dripped-fringe? | |
A technicolor | chicken-feathered ghoul | |
ripped | from a century of | |
Hollywood | nightmares? | |
Look! | ||
For $30 a pop | there are Indian maidens | |
princesses | warriors like a million | |
fake | great-great-grandmothers | |
born | in family lore and | |
rolling | in forgotten graves. | |
But | thank goodness: | |
no more | Handmaids | |
with their | bloodred robes | |
opened | like a mouth | |
grinning | red | |
like horror | red | |
like wounding | red | |
like a slur | kept alive | |
under | your eye |
Artist Statement:
There was enough public outcry when costume retailer Yandy released its “sexy” take on “The Handmaid’s Tale” costume that it was ultimately pulled from their catalog. In a 2017 interview with Cosmopolitan, the same retailer stated it would not pull its racist costumes depicting Indigenous women, due to a lack of controversy and public outcry. So, here are my questions, for retailers and consumers alike: why are fictional women a higher priority than Indigenous women? Whose dystopias reflect whose realities?
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