Shoes at the Holocaust Museum

Lauren Carter

Dusty, corralled by clear walls
of plexiglass, they smell of age,

the violent polish of pain. Red,
mismatched, many, owned

by the women who wore
them, sophisticated, matching

lipstick to dress, never
imagining that by the quiet end

of one day they would
be nameless. Nothing

but animals, wrapped in skin.
Nothing but flesh

cowed under a frozen cloak
of fear. Bodies

seeking warmth from each
other, in the crowded

car of a terrifying train
tearing into night. Soft red

eather shoes an old indulgence
from another woman’s life.

Lauren Carter‘s first collection of poetry, Lichen Bright, was published by Your Scrivener Press and long-listed for the ReLit Award. She lives in Orillia, Ontario, where she is currently at work on a novel for her MFA in Creative Writing, and a second collection of poetry. Her work has appeared in several other publications.

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 SCIENCE

I hope this issue makes you curious and furious, leads to 2 a.m. Wikipedia rabbit holes, fulfills urges to seek out knowledge-keepers. Quickly or slowly, dive in: -ologies of all varieties await you.

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ROOM 49.1 No Future for Who?

In Room Magazine 49.1 No Future for Who?, we are really asking. We are coming in hot. We are causing a scene. We are being unreasonable. We are not fucking around. We are not taking “no” for an answer. “No” is the only word we still know. For who? For who? No.

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