Joseph of Arimathea

Joseph of Arimathea
is riding the Carleton Street car
grail tucked in a gym bag
underneath the seat.
He’s gone so far as to carry it
in plain sight.
A woman once asked him
if he was taking a pottery class.
He tried to give it to her
but she didn’t want it.

Joseph of Arimathea
cannot win for losing.
He is more than 2000 years old.
His back hurts and his hips
ache all winter.
Condemned for generosity
custodian
to the holiest of relics
object of so many quests
and Hollywood musicals.
He gave up concealing it
after leaving Glastonbury
all those bloody hills
so hard on his knees.
He moves it every couple of years.
Took it to New York in 2001, but
it seems that Yahweh was not pleased.
New Orleans turned out to be
a bit of a wash. And it came back by FedEx
from the Vatican.

Joseph of Arimathea
has tried leaving it on the subway,
on the counter in the deli, in the washroom
at Pizza Delight. He has prayed to God to
“take this cup away from me.”
But God has Her reasons.

Joseph of Arimathea
and his sacred appurtenance
take the bus to the mental health clinic,
where he participates in a painting class:
reimagining the silks of his homeland,
reminiscing about long lost
personal rapture, and hoping for
someone
up-and-coming
to win this trophy.

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ROOM 47.4 FULL CIRCLE
Step back with Room into the past, to parents, to childhood homes, and to people once known and loved; dig into themes of grief and healing; and ultimately explore what it means to come full circle in literature.

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