Dust

Sarah Kabamba

he traces the tattoo
of Africa on my back
tells me how he wants
to go back to Sierra Leone

he traces the tattoo
of Africa on my back
tells me how he wants
to go back to Sierra Leone
I want to ask him
how he can love a mother
land that chewed and spit
him out like broken teeth
but when I open my mouth
all I can taste is the grittiness
of sand. I’m scared
he’ll smell the graveyard I carry
behind my lips

Sarah Kabamba is a word-obsessed, tea-loving, fourth-year Law student with an English Minor. She believes in the power of words in constructing identity and recognizing the importance of family, beliefs, and culture. She currently resides in Ottawa, where she writes and reads as much as she can.

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 Science

Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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