Mom Egg Review is about being a mother, in its many varieties. It is also about being a daughter, worker, partner, artist, a member of cultures and communities, and explores how these identities can collide and coexist.
“Sometimes, we might be crazy. Sometimes, we might be annoying. Sometimes, we might be hypocritical. But one thing that we will always be is honest.”
Whether you’re building a New Year’s resolution reading list or hoping to renew your faith in #CanLit, we at Room are here to help. This list of some of our most beloved fiction, poetry, and non-fiction books by queer Canadian writers, compiled by fourteen members of the Room collective, is a great place to start.
Our yearly round-up of the most popular posts on our website.
Rachel Thompson is the founder of Lit Mag Love, an online course that supports writers in their efforts to submit to literary magazines, the former managing editor of Room, and a current member of the editorial board. She will edit our March 2018 issue, "Family Secrets," which is open to submissions until July 31, 2017. Assistant editor Arielle Spence asked Rachel a few questions about the nature of secret-sharing, her own family secrets, and what she looks for in a submission.
The Offing is an online literary magazine that publishes "work that pushes literary and artistic forms and conventions" and seeks out and supports work by and about those often marginalized in literary spaces. Their new editor-in-Chief, Dr. Chanda Prescod-Weinstein, is one of fewer than 100 Black American women to ever earn a Ph.D. in Physics. She is an expert in theoretical cosmology and is also internationally recognized for her anti-racist, feminist, and pro-queer writing and activism.
2016 may have sucked, but on the bright side, it inspired some incredible writing (see #3 on this list). Last year we shared our top 15 most-read posts of 2015, and I thought I'd continue the trend—and so, here are the ten most-read posts on roommagazine.com in 2016.
Falling in Love with Hominids is a collection of fantastical short stories filled with an innovatory mix of characters grappling with existential and everyday questions—what’s for breakfast? should I bring a child into the world? how did that elephant land in my living room? Written over the course of a decade, many of the stories play well together, sharing a succulent, earthy-otherworldliness that Nalo Hopkinson’s fans know and adore.
Character is king here. Hopkinson always imbues her narratives with awareness of race, class, gender, and privilege that never gets in the way of the story—yet it’s remarkable because it underscores the lack of this awareness in most media. A fierce opening story, “The Easthound” has post-apocalyptic teenagers so fleshed out and intriguing that they blow away the paper-thin “heroes” dominating most YA books and cinema.
Though it’s not a YA book, there are quite a few young characters given the compassionate Hopkinson treatment: notably in a hamadryad-myth based tale, where a “fat” teen fuses with a tree spirit to triumph at a cruel party game. In the book’s introduction, Hopkinson describes her development from despondent teen to a fifty-something optimist who learned to “trust humans in general will strive to make things better for themselves and their communities . . . despite the fact that sometimes I just need to shake my fist at a mofo.”
There are occasions in this book where there isn’t enough room to establish an alternate world and tell a story there, particularly in the micro-fiction pieces. This and a few devices that feel forced, such as the story entirely narrated to a rat-orchid hybrid, are the only things not to fall in love with in this otherwise adoration-worthy collection.
Hopkinson’s reframing of The Tempest uses a dual narrative and themes of internallized racism told by now-siblings Ariel and Caliban: “The real storm? Is our mother Sycorax; his and mine. If you ever see her hair flying around her head when she dash at you in anger.” And the story “Old Habits,” situated in a ghost mall, where in the first paragraph the narrator tells us, “This is not going to be one of those stories where the surprise twist is and he was dead!”
All in all, Falling in Love with Hominids is an entertaining and humane book that affirms why Junot Díaz refers to Hopkinson as “one of our most important writers.”
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Room 43.2, Devour
Edited by Jessica Johns
In this issue:
Manahil Bandukwala, Dessa Bayrock, Megan Beadie, Brandi Bird, lue boileau, Rachel Burlock, Justina Chong, Mollie Cronin, Marilyn Dumont, Edzi'u, Ashleigh Giffen, katia hernandez velasco, erica hiroko, Jessica Johns, Shaelyn Johnston, Yume Kitasei, Mica Lemiski, Jessie Loyer, Annick MacAskill, Callista Markotich, Sonali Menezes, Kai Minosh Pyle, Natasha Ramoutar, Carmina Ravanera, Rohsni Riar, Jessica Rose, Rowan Siah, Eli Tareq El Bechelany-Lynch, Kelly S. Thompson, Arielle Twist, Phoebe Wang, Yu-Sen Zhou.