Katherena Vermette is a Métis writer from Winnipeg, Manitoba. Her collection of poetry, North End Love Songs, won the 2013 Governor General’s Award for Poetry, and her debut novel The Break has won numerous awards and was a Canada Reads 2017 finalist. Most recently, she won the 2017 Canadian Screen Award for her documentary This River.
"These queer stories are already ingrained in the land, and I’m just trying to find them. Things are never forgotten, they’re just forgone."—Joshua Whitehead. In an in-depth interview, Room's Jessica Johns chats with Joshua Whitehead, an Oji-Cree Two-Spirit storyteller and academic from Peguis First Nation on Treaty 1 territory in Manitoba, and author of the novel Jonny Appleseed (Arsenal Pulp Press, 2018) and the poetry collection full-metal indigiqueer (TalonBooks, 2017).
Jessica Johns spoke with Arielle Spence, a queer, nonbinary aspiring writer and arts administrator originally from Coldstream, BC (unceded Okanagan Territory). They were the festival director of Growing Room 2017, Room’s inaugural feminist literary festival, one of the assistant editors of the forthcoming queer issue, and are currently editing Room's Magic issue. Here’s a sneak peak of the RoomMate interview.
Room Magazine and Massy Books have partnered to create Indigenous Brilliance, a quarterly reading series for First Nations, Métis, and Inuit writers to showcase their work. Hosted by Room editorial board members, Jónína Kirton and Jessica Johns, this series is dedicated to featuring emerging and established Indigenous women, Two-Spirit and queer writers. We are now accepting applications to all interested artists who would like to participate in our 2018 series.
While the 41.2 editorial team was “taking a break” from sharing their aspirations for the upcoming issue with one another, they chatted about their favourite books and experiences working in the lit mags sphere. Submit your original essays, short stories, poems, and visual art to this open issue by Oct 31st, and you might be published alongside our commissioned author Katherena Vermette and a feature interview with Durga Chew-Bose.
After falling in love with This Accident of Being Lost this past summer, and then quickly devouring almost everything else she’s published, Jessica Johns jumped at the chance to chat with the award-winning writer prior to her trip to Vancouver for this year’s Writers Fest. Here, Leanne Simpson talks about interventions in writing, taking care for Indigenous audiences, and her advice to the community to lift up, listen to, and support Indigenous emerging writers, particularly the two-spirit queer and trans writers.
Katherena Vermette is a Métis writer from Winnipeg, Manitoba. Her collection of poetry, North End Love Songs, won the 2013 Governor General’s Award for Poetry, and her debut novel The Break has won numerous awards and was a Canada Reads 2017 finalist. Most recently, she won the 2017 Canadian Screen Award for her documentary This River.
In this issue:
Manahil Bandukwala, Fang Bu, Allison Graves, Kadijah Guillaume, Ava Homa, Ashley Hynd, Amy LeBlanc, Vanessa Lent, Tasslyn Magnusson, Chloe Yelena Miller, Amy Oldfield, Alycia Pirmohamed, Mia Poirier, Victoria Prevot, Michelle Purchase, Jade Riordan, Ellie Sawatzky, Bren Simmers, Dahae Song, Anne Stone, Susie Taylor, Katherena Vermette, Kayi Wong, Hiba Zafran, Shellie Zhang
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Room is published with the generous support of:
