Fainting Couch Feminists Episode Forty-Two: Our Identities Are Continuous: Alix Ohlin Discusses Building a Life As a Writer

Alix Ohlin completed her BA at Harvard, her MFA at the Michener’s Center for Writers in Texas, and she’s currently the Chair of the UBC Creative Writing Department. But beneath and beyond these accomplishments is someone who used to speak in antiquated pirate language, binge on Potato Smiles, and teach alongside Benedictine Monks (one of whom often had pockets full of bacon). This episode is about how Alix built her life as a writer, and why it’s important to recognize our identities as multifaceted and ineffable.

Alix Ohlin has a very impressive resume. She completed her BA at Harvard, her MFA at the Michener’s Center for Writers in Texas, and she’s currently the Chair of the UBC Creative Writing Department. But beneath and beyond these accomplishments is someone who used to speak in antiquated pirate language, binge on Potato Smiles, and teach alongside Benedictine Monks (one of whom often had pockets full of bacon). This episode is about how Alix built her life as a writer, and why it’s important to recognize our identities as multifaceted and ineffable. We also chat about kill shelters for books (nooooo), our relationships with failure, and why the 2016 election was especially mind-bending for Alix.

 

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ROOM 49.3 NO CANADA

In the new era of CanCon, as feminists and writers it is our task to reject this Canadian exceptionalism, this too-comfortable back-patting. How can we begin to imagine alternative arts economies, Indigenous economies around art, that start with treaty, that align with BDS? What art, what literature, would such a system free us to create?

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Cover image for Room Magazine Issue 49.2, Science. Art by Candace Cosentino of an old-fashioned computer monitor with a bounty of dandelions growing from it.

ROOM 49.2 Science

Welcome to the Science issue of Room Magazine, where we privilege questions: questions about how to construct better worlds; questions about how to destroy hyper-capitalistic, necropolitical systems; questions that beget questions and new questions.

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