If I think about what I’m doing, I’ll never get off the plane. After all, it’s ridiculous to believe a computer program can predict two strangers will develop a meaningful relationship. It’s even more ridiculous to test that prediction by flying halfway across the country after a few dozen hours on Skype.
Let's Make Contact
An interview with Renée Sarojini Saklikar, author of children of air india, un/authorized exhibits and interjections (Nightwood Editions, 2013), which won the Canadian Authors Award for poetry and was short-listed for the Dorothy Livesay Award.
Selina Boan is a poet living on the traditional, ancestral, and unceded territory of the Musqueam, Sḵwxwú7mesh, and Tsleil-Waututh peoples. She has been published extensively in literary magazines across Canada, won the Gold National Magazine Award for poetry in 2017, and was shortlisted for the 2016 CBC Poetry Prize. She is currently working on a collection of poems exploring her Cree and European heritage. “Here we go” and “the plot so far” are poems included in this collection and appear in Room’s “Let’s Make Contact” issue 40.4. The love and genuine care that is so evident in Selina’s poems she also puts into the work of the people around her. She champions emerging writers and her friends, and she attends to strengthening community building at every opportunity. Her work is powerful, necessary, and utterly brilliant, and she is very much deserving of Room’s Emerging Writer Award.
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Room 41.2, Changing Language
Edited by Kayi Wong
In this issue:
Manahil Bandukwala, Fang Bu, Allison Graves, Kadijah Guillaume, Ava Homa, Ashley Hynd, Amy LeBlanc, Vanessa Lent, Tasslyn Magnusson, Chloe Yelena Miller, Amy Oldfield, Alycia Pirmohamed, Mia Poirier, Victoria Prevot, Michelle Purchase, Jade Riordan, Ellie Sawatzky, Bren Simmers, Dahae Song, Anne Stone, Susie Taylor, Katherena Vermette, Kayi Wong, Hiba Zafran, Shellie Zhang.